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Updated 2024 Approved 20 Time-Saving Adobe Premiere Shortcuts Every Editor Should Know
20 Time-Saving Adobe Premiere Shortcuts Every Editor Should Know
Top 20 Adobe Premiere Shortcuts You Will Use When Editing Video Files
Benjamin Arango
Mar 27, 2024• Proven solutions
Whilst the conventional mouse control allows you to perform any task that Premiere is capable of, for efficient workflow the keyboard shortcuts cannot be beaten. We all work a little differently, and thankfully Adobe understands that, so although here we will be concentrating on the standard keyboard layout, the keyboard shortcuts can be customized to be anything you want and saved as a custom profile, there are even presets already included for Avid Media Composer and Final Cut Pro for those who are maybe transitioning from those packages or just prefer the way they work.
This is a basic tutorial about Adobe Premiere, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora (originally Wondershare Video Editor) , which is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
This is achieved by going through the path edit > keyboard shortcuts as below:
Before we step into the most useful shortcuts, a brief note here on the different platforms, although I’m sure most readers are aware. The PC and Mac versions of the software do share the same basic shortcuts with the one caveat that where the PC uses the Control and Alt keys, the Mac has Command and Option keys instead. Other than that the functionality is the same. I’ll include the shortcuts for both platforms with each to make referencing easier.
1Select Window
I’m starting with this one simply because I find it the most used of all, especially if like me you prefer a custom layout for all your windows. If your program monitor is hidden for instance, you can just press shift+4 and there it is. The shortcuts are the same for both platforms here.
- Audio Clip Mixer Shift+9
- Audio Track Mixer Shift+6
- Effect Controls Shift+5
- Effects Shift+7
- Media Browser Shift+8
- Program Monitor Shift+4
- Project Shift+1
- Source Monitor Shift+2
- Timelines Shift+3
2 Import
Whilst the shortcuts for editing and manipulating clips are extremely important for efficient workflow, it should be remembered that those relating to the basic operation of the program are just as useful, as we see here. Using Control and I (Command and I on Mac) brings up the import media dialogue box instantly.
3Capture Panel
There are multiple shortcuts that can be used within the capture panel, but because this is such an intrinsic aspect of the Premiere workflow, being the entry into a project for all media, I think the available shortcuts are all as valuable as each other here.
- Navigate Through Fields - Tab
- Cancel Capture - Esc
- Fast Forward - F
- Rewind - R
- Go to In Point - Q
- Go to Out Point - W
- Record - G
- Stop - S
- Step Back - Left Arrow
- Step Forward - Right Arrow
4 Timeline Panel
In a similar vein to the Capture Panel, the Timeline Panel has a set of shortcuts specific to all its basic operations, and are essential for a faster workflow.
- Clear Ins and Outs - G
- Clear In Point - D
- Clear Out Point - F
- Go to In Point- Q
- Go to Out Point - W
- Match Frame - M
- Start and Stop - Spacebar
- Play Normal Speed - L
- Play Reverse Normal Speed - J
- Set In Point - I
- Set Out Point - o
- Shuttle Stop - K
- Trim - T
- Arc Tool - A
- Ellipse Tool – E
5 Navigation within a clip
This one works within the program monitor/timeline or source monitor windows, ensure the desired one is active first of course. You can move to a specific time code within the clip, or go forwards or backwards a set number of frames using the number pad. To go to a specific time code simply type that on the number pad. To travel a set number of frames simply type + or – (to signify direction) and the number of frames.
6Marking Clips
By far the simplest way to mark clips is to use the keyboard shortcut.
For marking clips use X , whilst marking a selection is / .
7 In and Out
In addition to marking clips via shortcuts, it is also far easier to mark In and Out points this way.
- To Mark In use I , whilst to mark Out use O .
- To Clear In the shortcut is Control+Shift+I for PC and Option+I for Mac.
- To Clear Out Control+Shift+O for PC, Option+O for Mac.
8Playing Clips
Going hand in hand with the shortcuts for marking, are the keyboard commands for playing clips. These are:
- Play In to Out: Control+Shift+Space (PC) and Option+K for Mac
- Clear In and Out: Control+Shift+X (PC) and Option+X for Mac
- Play Around: The same for both platforms and is Shift+K.
To get the best from this it is necessary to set some options beforehand, as Play Around plays the portion of the timeline around the Playhead, and where it plays is dependent on the options set. This is done through the menu via edit > preferences > playback, here I have preroll and postroll set to 4 seconds, meaning that it plays 4 seconds prior and following the point where the playhead is placed.
In addition, turning on looping for this can help to fine tune edits.
9Toggle Audio During Scrubbing
There are times you may want to hear audio when scrubbing, however turning it off can have beneficial effects on performance for lower end computers. The shortcut makes it an easy process to turn off and on as required.
The shortcut is Shift+S for both platforms.
10Slide a clip within the sequence
There are a couple of options available here from the shortcuts, slide one frame or 5 frames.
- To slide one frame to the left is Alt+, for PC or Option+, for Mac. To increase to five frames add Shift to either shortcut.
- To slide one frame to the right is Alt+. for PC and Option+. for Mac. Again, to increase to five frames add Shift.
11Slip within a sequence
As with the slide options, the choice is one frame or five frames.
- To slip one frame to the left is Control+Alt+Left for PC or Option+Command+Left for Mac. To increase to five frames add Shift to either shortcut.
- To slip one frame to the right is Control+Alt+Right for PC and Option+Command+Right for Mac. Again, to increase to five frames add Shift.
12Nudging
You can move a clip up or down simply by using the Up and Down arrow keys, whilst holding Alt or Option at the same time allows you to select just the video or audio to move.
13Multi Camera Selection
This is a tool that allows you to work with multiple camera angles of the same subject or scene. To switch between different cameras quickly is extremely useful and accomplished with the numerical keys.
Numbers 1 through 9 select the corresponding camera.
14Add an edit
This option cuts the track (or tracks) that are targeted. The shortcut for this is Control+K or Command+K.
You can view all added edits within a sequence by selecting show through edits within the sequence menu.
15Add the default Transition
This option applies the default transition to all selected media. To do this use Shift+D.
16 Match Frame
Locating a specific frame within the sequence for adding in a second clip is very useful, the shortcut is M, a great timesaver.
17Zoom to sequence
Being able to zoom in is great, it makes working in the sequence panel much easier, at least for me, however the one drawback I find is that I tend to get lost when looking for a particular clip. Using / enable you to quickly zoom out for navigation and back in again to work
18Jump to Edit
Navigating from edit to edit is a very simple process with the shortcuts available to you.
Page up takes you to the previous edit point, whilst page down takes you to the next.
With practice these shortcuts become second nature and you will find your workflow becomes not only faster but a smoother operation as well.
19Toggle the type of Trim used
Quickly shift between Standard, Ripple and Roll trim types.
Shift+T for PC, Control+T for Mac
20Ripple Trim
This enables you to trim the head or tail of the clip very quickly, making an extremely efficient workflow. To trim the next edit from the Playhead use W, for the previous edit from the playhead use Q.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
Whilst the conventional mouse control allows you to perform any task that Premiere is capable of, for efficient workflow the keyboard shortcuts cannot be beaten. We all work a little differently, and thankfully Adobe understands that, so although here we will be concentrating on the standard keyboard layout, the keyboard shortcuts can be customized to be anything you want and saved as a custom profile, there are even presets already included for Avid Media Composer and Final Cut Pro for those who are maybe transitioning from those packages or just prefer the way they work.
This is a basic tutorial about Adobe Premiere, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora (originally Wondershare Video Editor) , which is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
This is achieved by going through the path edit > keyboard shortcuts as below:
Before we step into the most useful shortcuts, a brief note here on the different platforms, although I’m sure most readers are aware. The PC and Mac versions of the software do share the same basic shortcuts with the one caveat that where the PC uses the Control and Alt keys, the Mac has Command and Option keys instead. Other than that the functionality is the same. I’ll include the shortcuts for both platforms with each to make referencing easier.
1Select Window
I’m starting with this one simply because I find it the most used of all, especially if like me you prefer a custom layout for all your windows. If your program monitor is hidden for instance, you can just press shift+4 and there it is. The shortcuts are the same for both platforms here.
- Audio Clip Mixer Shift+9
- Audio Track Mixer Shift+6
- Effect Controls Shift+5
- Effects Shift+7
- Media Browser Shift+8
- Program Monitor Shift+4
- Project Shift+1
- Source Monitor Shift+2
- Timelines Shift+3
2 Import
Whilst the shortcuts for editing and manipulating clips are extremely important for efficient workflow, it should be remembered that those relating to the basic operation of the program are just as useful, as we see here. Using Control and I (Command and I on Mac) brings up the import media dialogue box instantly.
3Capture Panel
There are multiple shortcuts that can be used within the capture panel, but because this is such an intrinsic aspect of the Premiere workflow, being the entry into a project for all media, I think the available shortcuts are all as valuable as each other here.
- Navigate Through Fields - Tab
- Cancel Capture - Esc
- Fast Forward - F
- Rewind - R
- Go to In Point - Q
- Go to Out Point - W
- Record - G
- Stop - S
- Step Back - Left Arrow
- Step Forward - Right Arrow
4 Timeline Panel
In a similar vein to the Capture Panel, the Timeline Panel has a set of shortcuts specific to all its basic operations, and are essential for a faster workflow.
- Clear Ins and Outs - G
- Clear In Point - D
- Clear Out Point - F
- Go to In Point- Q
- Go to Out Point - W
- Match Frame - M
- Start and Stop - Spacebar
- Play Normal Speed - L
- Play Reverse Normal Speed - J
- Set In Point - I
- Set Out Point - o
- Shuttle Stop - K
- Trim - T
- Arc Tool - A
- Ellipse Tool – E
5 Navigation within a clip
This one works within the program monitor/timeline or source monitor windows, ensure the desired one is active first of course. You can move to a specific time code within the clip, or go forwards or backwards a set number of frames using the number pad. To go to a specific time code simply type that on the number pad. To travel a set number of frames simply type + or – (to signify direction) and the number of frames.
6Marking Clips
By far the simplest way to mark clips is to use the keyboard shortcut.
For marking clips use X , whilst marking a selection is / .
7 In and Out
In addition to marking clips via shortcuts, it is also far easier to mark In and Out points this way.
- To Mark In use I , whilst to mark Out use O .
- To Clear In the shortcut is Control+Shift+I for PC and Option+I for Mac.
- To Clear Out Control+Shift+O for PC, Option+O for Mac.
8Playing Clips
Going hand in hand with the shortcuts for marking, are the keyboard commands for playing clips. These are:
- Play In to Out: Control+Shift+Space (PC) and Option+K for Mac
- Clear In and Out: Control+Shift+X (PC) and Option+X for Mac
- Play Around: The same for both platforms and is Shift+K.
To get the best from this it is necessary to set some options beforehand, as Play Around plays the portion of the timeline around the Playhead, and where it plays is dependent on the options set. This is done through the menu via edit > preferences > playback, here I have preroll and postroll set to 4 seconds, meaning that it plays 4 seconds prior and following the point where the playhead is placed.
In addition, turning on looping for this can help to fine tune edits.
9Toggle Audio During Scrubbing
There are times you may want to hear audio when scrubbing, however turning it off can have beneficial effects on performance for lower end computers. The shortcut makes it an easy process to turn off and on as required.
The shortcut is Shift+S for both platforms.
10Slide a clip within the sequence
There are a couple of options available here from the shortcuts, slide one frame or 5 frames.
- To slide one frame to the left is Alt+, for PC or Option+, for Mac. To increase to five frames add Shift to either shortcut.
- To slide one frame to the right is Alt+. for PC and Option+. for Mac. Again, to increase to five frames add Shift.
11Slip within a sequence
As with the slide options, the choice is one frame or five frames.
- To slip one frame to the left is Control+Alt+Left for PC or Option+Command+Left for Mac. To increase to five frames add Shift to either shortcut.
- To slip one frame to the right is Control+Alt+Right for PC and Option+Command+Right for Mac. Again, to increase to five frames add Shift.
12Nudging
You can move a clip up or down simply by using the Up and Down arrow keys, whilst holding Alt or Option at the same time allows you to select just the video or audio to move.
13Multi Camera Selection
This is a tool that allows you to work with multiple camera angles of the same subject or scene. To switch between different cameras quickly is extremely useful and accomplished with the numerical keys.
Numbers 1 through 9 select the corresponding camera.
14Add an edit
This option cuts the track (or tracks) that are targeted. The shortcut for this is Control+K or Command+K.
You can view all added edits within a sequence by selecting show through edits within the sequence menu.
15Add the default Transition
This option applies the default transition to all selected media. To do this use Shift+D.
16 Match Frame
Locating a specific frame within the sequence for adding in a second clip is very useful, the shortcut is M, a great timesaver.
17Zoom to sequence
Being able to zoom in is great, it makes working in the sequence panel much easier, at least for me, however the one drawback I find is that I tend to get lost when looking for a particular clip. Using / enable you to quickly zoom out for navigation and back in again to work
18Jump to Edit
Navigating from edit to edit is a very simple process with the shortcuts available to you.
Page up takes you to the previous edit point, whilst page down takes you to the next.
With practice these shortcuts become second nature and you will find your workflow becomes not only faster but a smoother operation as well.
19Toggle the type of Trim used
Quickly shift between Standard, Ripple and Roll trim types.
Shift+T for PC, Control+T for Mac
20Ripple Trim
This enables you to trim the head or tail of the clip very quickly, making an extremely efficient workflow. To trim the next edit from the Playhead use W, for the previous edit from the playhead use Q.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
Whilst the conventional mouse control allows you to perform any task that Premiere is capable of, for efficient workflow the keyboard shortcuts cannot be beaten. We all work a little differently, and thankfully Adobe understands that, so although here we will be concentrating on the standard keyboard layout, the keyboard shortcuts can be customized to be anything you want and saved as a custom profile, there are even presets already included for Avid Media Composer and Final Cut Pro for those who are maybe transitioning from those packages or just prefer the way they work.
This is a basic tutorial about Adobe Premiere, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora (originally Wondershare Video Editor) , which is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
This is achieved by going through the path edit > keyboard shortcuts as below:
Before we step into the most useful shortcuts, a brief note here on the different platforms, although I’m sure most readers are aware. The PC and Mac versions of the software do share the same basic shortcuts with the one caveat that where the PC uses the Control and Alt keys, the Mac has Command and Option keys instead. Other than that the functionality is the same. I’ll include the shortcuts for both platforms with each to make referencing easier.
1Select Window
I’m starting with this one simply because I find it the most used of all, especially if like me you prefer a custom layout for all your windows. If your program monitor is hidden for instance, you can just press shift+4 and there it is. The shortcuts are the same for both platforms here.
- Audio Clip Mixer Shift+9
- Audio Track Mixer Shift+6
- Effect Controls Shift+5
- Effects Shift+7
- Media Browser Shift+8
- Program Monitor Shift+4
- Project Shift+1
- Source Monitor Shift+2
- Timelines Shift+3
2 Import
Whilst the shortcuts for editing and manipulating clips are extremely important for efficient workflow, it should be remembered that those relating to the basic operation of the program are just as useful, as we see here. Using Control and I (Command and I on Mac) brings up the import media dialogue box instantly.
3Capture Panel
There are multiple shortcuts that can be used within the capture panel, but because this is such an intrinsic aspect of the Premiere workflow, being the entry into a project for all media, I think the available shortcuts are all as valuable as each other here.
- Navigate Through Fields - Tab
- Cancel Capture - Esc
- Fast Forward - F
- Rewind - R
- Go to In Point - Q
- Go to Out Point - W
- Record - G
- Stop - S
- Step Back - Left Arrow
- Step Forward - Right Arrow
4 Timeline Panel
In a similar vein to the Capture Panel, the Timeline Panel has a set of shortcuts specific to all its basic operations, and are essential for a faster workflow.
- Clear Ins and Outs - G
- Clear In Point - D
- Clear Out Point - F
- Go to In Point- Q
- Go to Out Point - W
- Match Frame - M
- Start and Stop - Spacebar
- Play Normal Speed - L
- Play Reverse Normal Speed - J
- Set In Point - I
- Set Out Point - o
- Shuttle Stop - K
- Trim - T
- Arc Tool - A
- Ellipse Tool – E
5 Navigation within a clip
This one works within the program monitor/timeline or source monitor windows, ensure the desired one is active first of course. You can move to a specific time code within the clip, or go forwards or backwards a set number of frames using the number pad. To go to a specific time code simply type that on the number pad. To travel a set number of frames simply type + or – (to signify direction) and the number of frames.
6Marking Clips
By far the simplest way to mark clips is to use the keyboard shortcut.
For marking clips use X , whilst marking a selection is / .
7 In and Out
In addition to marking clips via shortcuts, it is also far easier to mark In and Out points this way.
- To Mark In use I , whilst to mark Out use O .
- To Clear In the shortcut is Control+Shift+I for PC and Option+I for Mac.
- To Clear Out Control+Shift+O for PC, Option+O for Mac.
8Playing Clips
Going hand in hand with the shortcuts for marking, are the keyboard commands for playing clips. These are:
- Play In to Out: Control+Shift+Space (PC) and Option+K for Mac
- Clear In and Out: Control+Shift+X (PC) and Option+X for Mac
- Play Around: The same for both platforms and is Shift+K.
To get the best from this it is necessary to set some options beforehand, as Play Around plays the portion of the timeline around the Playhead, and where it plays is dependent on the options set. This is done through the menu via edit > preferences > playback, here I have preroll and postroll set to 4 seconds, meaning that it plays 4 seconds prior and following the point where the playhead is placed.
In addition, turning on looping for this can help to fine tune edits.
9Toggle Audio During Scrubbing
There are times you may want to hear audio when scrubbing, however turning it off can have beneficial effects on performance for lower end computers. The shortcut makes it an easy process to turn off and on as required.
The shortcut is Shift+S for both platforms.
10Slide a clip within the sequence
There are a couple of options available here from the shortcuts, slide one frame or 5 frames.
- To slide one frame to the left is Alt+, for PC or Option+, for Mac. To increase to five frames add Shift to either shortcut.
- To slide one frame to the right is Alt+. for PC and Option+. for Mac. Again, to increase to five frames add Shift.
11Slip within a sequence
As with the slide options, the choice is one frame or five frames.
- To slip one frame to the left is Control+Alt+Left for PC or Option+Command+Left for Mac. To increase to five frames add Shift to either shortcut.
- To slip one frame to the right is Control+Alt+Right for PC and Option+Command+Right for Mac. Again, to increase to five frames add Shift.
12Nudging
You can move a clip up or down simply by using the Up and Down arrow keys, whilst holding Alt or Option at the same time allows you to select just the video or audio to move.
13Multi Camera Selection
This is a tool that allows you to work with multiple camera angles of the same subject or scene. To switch between different cameras quickly is extremely useful and accomplished with the numerical keys.
Numbers 1 through 9 select the corresponding camera.
14Add an edit
This option cuts the track (or tracks) that are targeted. The shortcut for this is Control+K or Command+K.
You can view all added edits within a sequence by selecting show through edits within the sequence menu.
15Add the default Transition
This option applies the default transition to all selected media. To do this use Shift+D.
16 Match Frame
Locating a specific frame within the sequence for adding in a second clip is very useful, the shortcut is M, a great timesaver.
17Zoom to sequence
Being able to zoom in is great, it makes working in the sequence panel much easier, at least for me, however the one drawback I find is that I tend to get lost when looking for a particular clip. Using / enable you to quickly zoom out for navigation and back in again to work
18Jump to Edit
Navigating from edit to edit is a very simple process with the shortcuts available to you.
Page up takes you to the previous edit point, whilst page down takes you to the next.
With practice these shortcuts become second nature and you will find your workflow becomes not only faster but a smoother operation as well.
19Toggle the type of Trim used
Quickly shift between Standard, Ripple and Roll trim types.
Shift+T for PC, Control+T for Mac
20Ripple Trim
This enables you to trim the head or tail of the clip very quickly, making an extremely efficient workflow. To trim the next edit from the Playhead use W, for the previous edit from the playhead use Q.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
Whilst the conventional mouse control allows you to perform any task that Premiere is capable of, for efficient workflow the keyboard shortcuts cannot be beaten. We all work a little differently, and thankfully Adobe understands that, so although here we will be concentrating on the standard keyboard layout, the keyboard shortcuts can be customized to be anything you want and saved as a custom profile, there are even presets already included for Avid Media Composer and Final Cut Pro for those who are maybe transitioning from those packages or just prefer the way they work.
This is a basic tutorial about Adobe Premiere, professional video editing software. However, if video editing is new to you, consider Wondershare Filmora (originally Wondershare Video Editor) , which is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
This is achieved by going through the path edit > keyboard shortcuts as below:
Before we step into the most useful shortcuts, a brief note here on the different platforms, although I’m sure most readers are aware. The PC and Mac versions of the software do share the same basic shortcuts with the one caveat that where the PC uses the Control and Alt keys, the Mac has Command and Option keys instead. Other than that the functionality is the same. I’ll include the shortcuts for both platforms with each to make referencing easier.
1Select Window
I’m starting with this one simply because I find it the most used of all, especially if like me you prefer a custom layout for all your windows. If your program monitor is hidden for instance, you can just press shift+4 and there it is. The shortcuts are the same for both platforms here.
- Audio Clip Mixer Shift+9
- Audio Track Mixer Shift+6
- Effect Controls Shift+5
- Effects Shift+7
- Media Browser Shift+8
- Program Monitor Shift+4
- Project Shift+1
- Source Monitor Shift+2
- Timelines Shift+3
2 Import
Whilst the shortcuts for editing and manipulating clips are extremely important for efficient workflow, it should be remembered that those relating to the basic operation of the program are just as useful, as we see here. Using Control and I (Command and I on Mac) brings up the import media dialogue box instantly.
3Capture Panel
There are multiple shortcuts that can be used within the capture panel, but because this is such an intrinsic aspect of the Premiere workflow, being the entry into a project for all media, I think the available shortcuts are all as valuable as each other here.
- Navigate Through Fields - Tab
- Cancel Capture - Esc
- Fast Forward - F
- Rewind - R
- Go to In Point - Q
- Go to Out Point - W
- Record - G
- Stop - S
- Step Back - Left Arrow
- Step Forward - Right Arrow
4 Timeline Panel
In a similar vein to the Capture Panel, the Timeline Panel has a set of shortcuts specific to all its basic operations, and are essential for a faster workflow.
- Clear Ins and Outs - G
- Clear In Point - D
- Clear Out Point - F
- Go to In Point- Q
- Go to Out Point - W
- Match Frame - M
- Start and Stop - Spacebar
- Play Normal Speed - L
- Play Reverse Normal Speed - J
- Set In Point - I
- Set Out Point - o
- Shuttle Stop - K
- Trim - T
- Arc Tool - A
- Ellipse Tool – E
5 Navigation within a clip
This one works within the program monitor/timeline or source monitor windows, ensure the desired one is active first of course. You can move to a specific time code within the clip, or go forwards or backwards a set number of frames using the number pad. To go to a specific time code simply type that on the number pad. To travel a set number of frames simply type + or – (to signify direction) and the number of frames.
6Marking Clips
By far the simplest way to mark clips is to use the keyboard shortcut.
For marking clips use X , whilst marking a selection is / .
7 In and Out
In addition to marking clips via shortcuts, it is also far easier to mark In and Out points this way.
- To Mark In use I , whilst to mark Out use O .
- To Clear In the shortcut is Control+Shift+I for PC and Option+I for Mac.
- To Clear Out Control+Shift+O for PC, Option+O for Mac.
8Playing Clips
Going hand in hand with the shortcuts for marking, are the keyboard commands for playing clips. These are:
- Play In to Out: Control+Shift+Space (PC) and Option+K for Mac
- Clear In and Out: Control+Shift+X (PC) and Option+X for Mac
- Play Around: The same for both platforms and is Shift+K.
To get the best from this it is necessary to set some options beforehand, as Play Around plays the portion of the timeline around the Playhead, and where it plays is dependent on the options set. This is done through the menu via edit > preferences > playback, here I have preroll and postroll set to 4 seconds, meaning that it plays 4 seconds prior and following the point where the playhead is placed.
In addition, turning on looping for this can help to fine tune edits.
9Toggle Audio During Scrubbing
There are times you may want to hear audio when scrubbing, however turning it off can have beneficial effects on performance for lower end computers. The shortcut makes it an easy process to turn off and on as required.
The shortcut is Shift+S for both platforms.
10Slide a clip within the sequence
There are a couple of options available here from the shortcuts, slide one frame or 5 frames.
- To slide one frame to the left is Alt+, for PC or Option+, for Mac. To increase to five frames add Shift to either shortcut.
- To slide one frame to the right is Alt+. for PC and Option+. for Mac. Again, to increase to five frames add Shift.
11Slip within a sequence
As with the slide options, the choice is one frame or five frames.
- To slip one frame to the left is Control+Alt+Left for PC or Option+Command+Left for Mac. To increase to five frames add Shift to either shortcut.
- To slip one frame to the right is Control+Alt+Right for PC and Option+Command+Right for Mac. Again, to increase to five frames add Shift.
12Nudging
You can move a clip up or down simply by using the Up and Down arrow keys, whilst holding Alt or Option at the same time allows you to select just the video or audio to move.
13Multi Camera Selection
This is a tool that allows you to work with multiple camera angles of the same subject or scene. To switch between different cameras quickly is extremely useful and accomplished with the numerical keys.
Numbers 1 through 9 select the corresponding camera.
14Add an edit
This option cuts the track (or tracks) that are targeted. The shortcut for this is Control+K or Command+K.
You can view all added edits within a sequence by selecting show through edits within the sequence menu.
15Add the default Transition
This option applies the default transition to all selected media. To do this use Shift+D.
16 Match Frame
Locating a specific frame within the sequence for adding in a second clip is very useful, the shortcut is M, a great timesaver.
17Zoom to sequence
Being able to zoom in is great, it makes working in the sequence panel much easier, at least for me, however the one drawback I find is that I tend to get lost when looking for a particular clip. Using / enable you to quickly zoom out for navigation and back in again to work
18Jump to Edit
Navigating from edit to edit is a very simple process with the shortcuts available to you.
Page up takes you to the previous edit point, whilst page down takes you to the next.
With practice these shortcuts become second nature and you will find your workflow becomes not only faster but a smoother operation as well.
19Toggle the type of Trim used
Quickly shift between Standard, Ripple and Roll trim types.
Shift+T for PC, Control+T for Mac
20Ripple Trim
This enables you to trim the head or tail of the clip very quickly, making an extremely efficient workflow. To trim the next edit from the Playhead use W, for the previous edit from the playhead use Q.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
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From Jittery to Smooth: Video Stabilization in Premiere Pro Made Easy
Stabilize Shaky Videos After Recording Easily
Wondershare Filmora is one of the most popular video editing software among YouTubers , which provides the video stabilization tool to remove shake from videos within one-click. Download and have a try now.
Most of the photos or videos we shoot on our cameras feel shaky and a bit too jarring. Also, a camera shake is imminent when filming a video, especially while we’re zooming in to get an ideal shot. In this situation, we don’t need to go to a professional to stabilize the videos or look right. Fortunately, Adobe Premiere Pro has some valuable tools to help you take the shake out of your videos or photos, giving you stabilized and smooth footage.
The Adobe Premiere Pro is a professional video editor that can fix unwanted camera shake in just a few clicks, giving fine-tuning to the footage – exactly the feel and looks you want! So, here in this article, we’re going to describe the guideline about Adobe Premiere Pro stabilization.
In this article
01 Why Should You Stabilize Your Video?
03 How to Stabilize A Shaky Video In Premiere Pro with Warp Stabilizer?
04 Top 5 Warp Stabilizer Tips and Troubleshooting:
05 How to Stabilize Shaky Footage Without Using Warp Stabilizer?
Part 1: Why Should You Stabilize Your Video?
Being an artistic or aesthetic choice, we might love a slightly shaken photo or video. But if it looks a little more shrill or jerky, we need to smooth it out! There are many reasons you might want to fix your irregular or shaky videos.
Generally, the shaky videos are due to our unintended movements during shooting. It can make your footage look less polished, sparkle, and glossy. Moreover, it can lower your photos or videos’ overall production quality and status. Therefore, this can be extremely disturbing for the viewers, creating a sense of mistrust.
Part 2: What Is Warp Stabilizer?
Warp Stabilizer is the effect in the Adobe Premiere Pro and Adobe After Effects that can quickly smooth out your jittery footage with just a few clicks. It can save your work – fix the smaller shakes while you’re strolling or standing still. So, now you can stabilize motion by using the Warp Stabilizer effect in Adobe Premiere Pro. However, the premiere stabilization is not a substitute for all – you may require some other program for your clips as you may also observe some lost details on the edges of the footage frame. Now let’s have a look at the benefits of Warp Stabilizer!
- It’s a built-in tool in Adobe Premiere Pro, so you don’t need to install additional software or plugin.
- You can easily remove jerkiness and jitter from your footage caused by your camera movement and convert them into smooth and steady shots.
- The results are fast, quick, and automatic.
Further, there are three more parameters to consider while using a Warp stabilizer for stabilizing the shaky footage.
- Process ( an algorithm that can analyze and track the footage)
- Smoothness ( called the strength of the effect)
- Framing ( it can handle the edges of the clips)
Part 3: How to Stabilize A Shaky Video In Premiere Pro with Warp Stabilizer?
Many filmmakers or shooters rely on handheld capture as it’s a fast, cheap, and usually intimate method. But do you know how they handle shaky footage? A handy Warp stabilizer tool in Adobe Premiere Pro lets you smooth your shaky videos or photos in minutes! So, if you find yourself dealing with photos or clips with a noticeable amount of shake, stabilize video premiere is your solution! Let’s discuss the process in detail about how Warp Stabilizer work in Adobe Premiere Pro to stabilize the footage.
Step 1: Choose the video clip you want to stabilize. Add it to your timeline and move to your “Effects” workspace. Hit on the Effects panel.
Step 2: Open the “Video Effects” folder and go to the ‘’Distort’’ option. Scroll down to ‘’Warp Stabilizer’’ and double click on it. Or search warp and you will see the Warp Stabilizer option under Video Effects.
Step 3: Wait for some time until Adobe Premiere Pro analyzes your video clip for Stabilization.
Step 4: Adjust the ‘’Smoothness’’ parameter of the video clip to modify the overall amount of Stabilization.
Step 5: Choose Stabilization> Result > No motion for creating the effect of a stationary camera with zero movements or select Smooth motion for only removing the shakiness of the video. And then click on Analyze to assess your video film.
Part 4: Top 5 Warp Stabilizer Tips and Troubleshooting
Premiere Pro stabilize is a powerful tool, but it also carries some limitations. Let’s check them out!
1. Consider warp stabilize during shooting:
If you keep in mind the warp stabilizer function while filming your videos or photos, you’ll get rid of fixing problems after the work. So, if you want glossy touch in your shots with zero access to a gimbal, you should consider filming with a faster shutter speed or a wider frame. In this way, you’ll get more convenience while applying the effect in the edit.
2. Modify extra cropping in your footage:
Warp stabilizer is a tool that can provide you stable footage and crop your shot as well. It can crop out the edges of your photos or videos, giving you a smooth and clean shot. To adjust the cropping in your clips, go to advanced settings and then click on Crop less <-> Smooth More Slider.
3. Analyze the effect of Warp stabilizer:
Always check the order of effects in the ‘’Effect Controls’’ folder. If you ever lost some stabilization after editing your shot, ensure not to change the Warp Stabilizer analysis source. Further, you should always re-analyze your clip after a quick color fix.
4. Nest your clips:
Sometimes we got an error message in the form of a red banner across our footage while trying to modify the speed on premiere stabilize video. Basically, we can’t use a Warp stabilizer to alter the speed of the same clip. But no worries! There is an easy fix – click on the altered clip and then click on Nest. Now, you can fix the nested sequence without any trouble.
5. Save your favorite settings as a preset:
If you’ve found a setting that gives you a happy result, you can save it as a preset for future use. In this way, you can speed up your work nicely while working with numerous shaky clips. Also, it can help if you want to make a similar effect to your multiple projects. Moreover, keep in mind that the Warp stabilizer needs to assess each clip frame by frame because it is not a one-size model that can fit all footage. Therefore, remember to click the ‘’Analyze’’ button even after putting the preset to turn it on.
Part 5: How to Stabilize Shaky Footage Without Using Warp Stabilizer?
Sometimes, the shakiness of clips is too extreme, and the Warp Stabilizer effect can’t handle it. Moreover, the filter algorithm incorrectly compensates for the camera moves. So what strategy should apply in this condition? Luckily, there is a method that can be used to stabilize your clips without using a warp stabilizer. Moreover, this process can give a hyper-realistic effect to your footage!
Step1: Import your clip into Premiere Pro Project and add it to your timeline. Hit on the “clip”, choose “Replace with After Effects Composition” to import the clip.
Step 2: Tap on the ‘’Tracker panel’’ from the right side of the screen. Scroll down to the ‘’Track Motion’’ option and open it.
Step 3: Pick the tracker marker, drag it to an area of contrasting subject and adjust it accordingly.
Tip: Remember not to make the outer box too large as After Effects can have a hard time performing the track.
Step 4: Hit the play button in the ‘’Tracker panel’’ to initiate the After Effects. Create a new ‘’Null Object’’ after the tracking process is complete.
Step 5: Move to the Tracker panel, click on “Edit Target,” choose your “Null Object” and click “OK.”
Step 6: Create a new camera and parent it to the null object for applying the stabilization effect to your clips. Enable the 3D option on both the footage layer and the null object.
Step 7: Extend your footage to compensate for any black bars that can occur as the camera pays for the shakiness. That’s it!
Conclusion:
Shaky footage is almost inescapable once you go handheld. If you don’t have a manual stabilizer like a gimbal, a tripod, or a glide cam – your work can fall victim to running, wind, walking, or other elements. In this article, we’ve introduced a quick and fast antidote for shaky footage – a Warp Stabilizer effect in the Adobe Premiere Pro. It can smooth out your shaky photos or videos with just a few clicks. So, do you know how to stabilize video premiere pro? Read out the article!
Most of the photos or videos we shoot on our cameras feel shaky and a bit too jarring. Also, a camera shake is imminent when filming a video, especially while we’re zooming in to get an ideal shot. In this situation, we don’t need to go to a professional to stabilize the videos or look right. Fortunately, Adobe Premiere Pro has some valuable tools to help you take the shake out of your videos or photos, giving you stabilized and smooth footage.
The Adobe Premiere Pro is a professional video editor that can fix unwanted camera shake in just a few clicks, giving fine-tuning to the footage – exactly the feel and looks you want! So, here in this article, we’re going to describe the guideline about Adobe Premiere Pro stabilization.
In this article
01 Why Should You Stabilize Your Video?
03 How to Stabilize A Shaky Video In Premiere Pro with Warp Stabilizer?
04 Top 5 Warp Stabilizer Tips and Troubleshooting:
05 How to Stabilize Shaky Footage Without Using Warp Stabilizer?
Part 1: Why Should You Stabilize Your Video?
Being an artistic or aesthetic choice, we might love a slightly shaken photo or video. But if it looks a little more shrill or jerky, we need to smooth it out! There are many reasons you might want to fix your irregular or shaky videos.
Generally, the shaky videos are due to our unintended movements during shooting. It can make your footage look less polished, sparkle, and glossy. Moreover, it can lower your photos or videos’ overall production quality and status. Therefore, this can be extremely disturbing for the viewers, creating a sense of mistrust.
Part 2: What Is Warp Stabilizer?
Warp Stabilizer is the effect in the Adobe Premiere Pro and Adobe After Effects that can quickly smooth out your jittery footage with just a few clicks. It can save your work – fix the smaller shakes while you’re strolling or standing still. So, now you can stabilize motion by using the Warp Stabilizer effect in Adobe Premiere Pro. However, the premiere stabilization is not a substitute for all – you may require some other program for your clips as you may also observe some lost details on the edges of the footage frame. Now let’s have a look at the benefits of Warp Stabilizer!
- It’s a built-in tool in Adobe Premiere Pro, so you don’t need to install additional software or plugin.
- You can easily remove jerkiness and jitter from your footage caused by your camera movement and convert them into smooth and steady shots.
- The results are fast, quick, and automatic.
Further, there are three more parameters to consider while using a Warp stabilizer for stabilizing the shaky footage.
- Process ( an algorithm that can analyze and track the footage)
- Smoothness ( called the strength of the effect)
- Framing ( it can handle the edges of the clips)
Part 3: How to Stabilize A Shaky Video In Premiere Pro with Warp Stabilizer?
Many filmmakers or shooters rely on handheld capture as it’s a fast, cheap, and usually intimate method. But do you know how they handle shaky footage? A handy Warp stabilizer tool in Adobe Premiere Pro lets you smooth your shaky videos or photos in minutes! So, if you find yourself dealing with photos or clips with a noticeable amount of shake, stabilize video premiere is your solution! Let’s discuss the process in detail about how Warp Stabilizer work in Adobe Premiere Pro to stabilize the footage.
Step 1: Choose the video clip you want to stabilize. Add it to your timeline and move to your “Effects” workspace. Hit on the Effects panel.
Step 2: Open the “Video Effects” folder and go to the ‘’Distort’’ option. Scroll down to ‘’Warp Stabilizer’’ and double click on it. Or search warp and you will see the Warp Stabilizer option under Video Effects.
Step 3: Wait for some time until Adobe Premiere Pro analyzes your video clip for Stabilization.
Step 4: Adjust the ‘’Smoothness’’ parameter of the video clip to modify the overall amount of Stabilization.
Step 5: Choose Stabilization> Result > No motion for creating the effect of a stationary camera with zero movements or select Smooth motion for only removing the shakiness of the video. And then click on Analyze to assess your video film.
Part 4: Top 5 Warp Stabilizer Tips and Troubleshooting
Premiere Pro stabilize is a powerful tool, but it also carries some limitations. Let’s check them out!
1. Consider warp stabilize during shooting:
If you keep in mind the warp stabilizer function while filming your videos or photos, you’ll get rid of fixing problems after the work. So, if you want glossy touch in your shots with zero access to a gimbal, you should consider filming with a faster shutter speed or a wider frame. In this way, you’ll get more convenience while applying the effect in the edit.
2. Modify extra cropping in your footage:
Warp stabilizer is a tool that can provide you stable footage and crop your shot as well. It can crop out the edges of your photos or videos, giving you a smooth and clean shot. To adjust the cropping in your clips, go to advanced settings and then click on Crop less <-> Smooth More Slider.
3. Analyze the effect of Warp stabilizer:
Always check the order of effects in the ‘’Effect Controls’’ folder. If you ever lost some stabilization after editing your shot, ensure not to change the Warp Stabilizer analysis source. Further, you should always re-analyze your clip after a quick color fix.
4. Nest your clips:
Sometimes we got an error message in the form of a red banner across our footage while trying to modify the speed on premiere stabilize video. Basically, we can’t use a Warp stabilizer to alter the speed of the same clip. But no worries! There is an easy fix – click on the altered clip and then click on Nest. Now, you can fix the nested sequence without any trouble.
5. Save your favorite settings as a preset:
If you’ve found a setting that gives you a happy result, you can save it as a preset for future use. In this way, you can speed up your work nicely while working with numerous shaky clips. Also, it can help if you want to make a similar effect to your multiple projects. Moreover, keep in mind that the Warp stabilizer needs to assess each clip frame by frame because it is not a one-size model that can fit all footage. Therefore, remember to click the ‘’Analyze’’ button even after putting the preset to turn it on.
Part 5: How to Stabilize Shaky Footage Without Using Warp Stabilizer?
Sometimes, the shakiness of clips is too extreme, and the Warp Stabilizer effect can’t handle it. Moreover, the filter algorithm incorrectly compensates for the camera moves. So what strategy should apply in this condition? Luckily, there is a method that can be used to stabilize your clips without using a warp stabilizer. Moreover, this process can give a hyper-realistic effect to your footage!
Step1: Import your clip into Premiere Pro Project and add it to your timeline. Hit on the “clip”, choose “Replace with After Effects Composition” to import the clip.
Step 2: Tap on the ‘’Tracker panel’’ from the right side of the screen. Scroll down to the ‘’Track Motion’’ option and open it.
Step 3: Pick the tracker marker, drag it to an area of contrasting subject and adjust it accordingly.
Tip: Remember not to make the outer box too large as After Effects can have a hard time performing the track.
Step 4: Hit the play button in the ‘’Tracker panel’’ to initiate the After Effects. Create a new ‘’Null Object’’ after the tracking process is complete.
Step 5: Move to the Tracker panel, click on “Edit Target,” choose your “Null Object” and click “OK.”
Step 6: Create a new camera and parent it to the null object for applying the stabilization effect to your clips. Enable the 3D option on both the footage layer and the null object.
Step 7: Extend your footage to compensate for any black bars that can occur as the camera pays for the shakiness. That’s it!
Conclusion:
Shaky footage is almost inescapable once you go handheld. If you don’t have a manual stabilizer like a gimbal, a tripod, or a glide cam – your work can fall victim to running, wind, walking, or other elements. In this article, we’ve introduced a quick and fast antidote for shaky footage – a Warp Stabilizer effect in the Adobe Premiere Pro. It can smooth out your shaky photos or videos with just a few clicks. So, do you know how to stabilize video premiere pro? Read out the article!
Most of the photos or videos we shoot on our cameras feel shaky and a bit too jarring. Also, a camera shake is imminent when filming a video, especially while we’re zooming in to get an ideal shot. In this situation, we don’t need to go to a professional to stabilize the videos or look right. Fortunately, Adobe Premiere Pro has some valuable tools to help you take the shake out of your videos or photos, giving you stabilized and smooth footage.
The Adobe Premiere Pro is a professional video editor that can fix unwanted camera shake in just a few clicks, giving fine-tuning to the footage – exactly the feel and looks you want! So, here in this article, we’re going to describe the guideline about Adobe Premiere Pro stabilization.
In this article
01 Why Should You Stabilize Your Video?
03 How to Stabilize A Shaky Video In Premiere Pro with Warp Stabilizer?
04 Top 5 Warp Stabilizer Tips and Troubleshooting:
05 How to Stabilize Shaky Footage Without Using Warp Stabilizer?
Part 1: Why Should You Stabilize Your Video?
Being an artistic or aesthetic choice, we might love a slightly shaken photo or video. But if it looks a little more shrill or jerky, we need to smooth it out! There are many reasons you might want to fix your irregular or shaky videos.
Generally, the shaky videos are due to our unintended movements during shooting. It can make your footage look less polished, sparkle, and glossy. Moreover, it can lower your photos or videos’ overall production quality and status. Therefore, this can be extremely disturbing for the viewers, creating a sense of mistrust.
Part 2: What Is Warp Stabilizer?
Warp Stabilizer is the effect in the Adobe Premiere Pro and Adobe After Effects that can quickly smooth out your jittery footage with just a few clicks. It can save your work – fix the smaller shakes while you’re strolling or standing still. So, now you can stabilize motion by using the Warp Stabilizer effect in Adobe Premiere Pro. However, the premiere stabilization is not a substitute for all – you may require some other program for your clips as you may also observe some lost details on the edges of the footage frame. Now let’s have a look at the benefits of Warp Stabilizer!
- It’s a built-in tool in Adobe Premiere Pro, so you don’t need to install additional software or plugin.
- You can easily remove jerkiness and jitter from your footage caused by your camera movement and convert them into smooth and steady shots.
- The results are fast, quick, and automatic.
Further, there are three more parameters to consider while using a Warp stabilizer for stabilizing the shaky footage.
- Process ( an algorithm that can analyze and track the footage)
- Smoothness ( called the strength of the effect)
- Framing ( it can handle the edges of the clips)
Part 3: How to Stabilize A Shaky Video In Premiere Pro with Warp Stabilizer?
Many filmmakers or shooters rely on handheld capture as it’s a fast, cheap, and usually intimate method. But do you know how they handle shaky footage? A handy Warp stabilizer tool in Adobe Premiere Pro lets you smooth your shaky videos or photos in minutes! So, if you find yourself dealing with photos or clips with a noticeable amount of shake, stabilize video premiere is your solution! Let’s discuss the process in detail about how Warp Stabilizer work in Adobe Premiere Pro to stabilize the footage.
Step 1: Choose the video clip you want to stabilize. Add it to your timeline and move to your “Effects” workspace. Hit on the Effects panel.
Step 2: Open the “Video Effects” folder and go to the ‘’Distort’’ option. Scroll down to ‘’Warp Stabilizer’’ and double click on it. Or search warp and you will see the Warp Stabilizer option under Video Effects.
Step 3: Wait for some time until Adobe Premiere Pro analyzes your video clip for Stabilization.
Step 4: Adjust the ‘’Smoothness’’ parameter of the video clip to modify the overall amount of Stabilization.
Step 5: Choose Stabilization> Result > No motion for creating the effect of a stationary camera with zero movements or select Smooth motion for only removing the shakiness of the video. And then click on Analyze to assess your video film.
Part 4: Top 5 Warp Stabilizer Tips and Troubleshooting
Premiere Pro stabilize is a powerful tool, but it also carries some limitations. Let’s check them out!
1. Consider warp stabilize during shooting:
If you keep in mind the warp stabilizer function while filming your videos or photos, you’ll get rid of fixing problems after the work. So, if you want glossy touch in your shots with zero access to a gimbal, you should consider filming with a faster shutter speed or a wider frame. In this way, you’ll get more convenience while applying the effect in the edit.
2. Modify extra cropping in your footage:
Warp stabilizer is a tool that can provide you stable footage and crop your shot as well. It can crop out the edges of your photos or videos, giving you a smooth and clean shot. To adjust the cropping in your clips, go to advanced settings and then click on Crop less <-> Smooth More Slider.
3. Analyze the effect of Warp stabilizer:
Always check the order of effects in the ‘’Effect Controls’’ folder. If you ever lost some stabilization after editing your shot, ensure not to change the Warp Stabilizer analysis source. Further, you should always re-analyze your clip after a quick color fix.
4. Nest your clips:
Sometimes we got an error message in the form of a red banner across our footage while trying to modify the speed on premiere stabilize video. Basically, we can’t use a Warp stabilizer to alter the speed of the same clip. But no worries! There is an easy fix – click on the altered clip and then click on Nest. Now, you can fix the nested sequence without any trouble.
5. Save your favorite settings as a preset:
If you’ve found a setting that gives you a happy result, you can save it as a preset for future use. In this way, you can speed up your work nicely while working with numerous shaky clips. Also, it can help if you want to make a similar effect to your multiple projects. Moreover, keep in mind that the Warp stabilizer needs to assess each clip frame by frame because it is not a one-size model that can fit all footage. Therefore, remember to click the ‘’Analyze’’ button even after putting the preset to turn it on.
Part 5: How to Stabilize Shaky Footage Without Using Warp Stabilizer?
Sometimes, the shakiness of clips is too extreme, and the Warp Stabilizer effect can’t handle it. Moreover, the filter algorithm incorrectly compensates for the camera moves. So what strategy should apply in this condition? Luckily, there is a method that can be used to stabilize your clips without using a warp stabilizer. Moreover, this process can give a hyper-realistic effect to your footage!
Step1: Import your clip into Premiere Pro Project and add it to your timeline. Hit on the “clip”, choose “Replace with After Effects Composition” to import the clip.
Step 2: Tap on the ‘’Tracker panel’’ from the right side of the screen. Scroll down to the ‘’Track Motion’’ option and open it.
Step 3: Pick the tracker marker, drag it to an area of contrasting subject and adjust it accordingly.
Tip: Remember not to make the outer box too large as After Effects can have a hard time performing the track.
Step 4: Hit the play button in the ‘’Tracker panel’’ to initiate the After Effects. Create a new ‘’Null Object’’ after the tracking process is complete.
Step 5: Move to the Tracker panel, click on “Edit Target,” choose your “Null Object” and click “OK.”
Step 6: Create a new camera and parent it to the null object for applying the stabilization effect to your clips. Enable the 3D option on both the footage layer and the null object.
Step 7: Extend your footage to compensate for any black bars that can occur as the camera pays for the shakiness. That’s it!
Conclusion:
Shaky footage is almost inescapable once you go handheld. If you don’t have a manual stabilizer like a gimbal, a tripod, or a glide cam – your work can fall victim to running, wind, walking, or other elements. In this article, we’ve introduced a quick and fast antidote for shaky footage – a Warp Stabilizer effect in the Adobe Premiere Pro. It can smooth out your shaky photos or videos with just a few clicks. So, do you know how to stabilize video premiere pro? Read out the article!
Most of the photos or videos we shoot on our cameras feel shaky and a bit too jarring. Also, a camera shake is imminent when filming a video, especially while we’re zooming in to get an ideal shot. In this situation, we don’t need to go to a professional to stabilize the videos or look right. Fortunately, Adobe Premiere Pro has some valuable tools to help you take the shake out of your videos or photos, giving you stabilized and smooth footage.
The Adobe Premiere Pro is a professional video editor that can fix unwanted camera shake in just a few clicks, giving fine-tuning to the footage – exactly the feel and looks you want! So, here in this article, we’re going to describe the guideline about Adobe Premiere Pro stabilization.
In this article
01 Why Should You Stabilize Your Video?
03 How to Stabilize A Shaky Video In Premiere Pro with Warp Stabilizer?
04 Top 5 Warp Stabilizer Tips and Troubleshooting:
05 How to Stabilize Shaky Footage Without Using Warp Stabilizer?
Part 1: Why Should You Stabilize Your Video?
Being an artistic or aesthetic choice, we might love a slightly shaken photo or video. But if it looks a little more shrill or jerky, we need to smooth it out! There are many reasons you might want to fix your irregular or shaky videos.
Generally, the shaky videos are due to our unintended movements during shooting. It can make your footage look less polished, sparkle, and glossy. Moreover, it can lower your photos or videos’ overall production quality and status. Therefore, this can be extremely disturbing for the viewers, creating a sense of mistrust.
Part 2: What Is Warp Stabilizer?
Warp Stabilizer is the effect in the Adobe Premiere Pro and Adobe After Effects that can quickly smooth out your jittery footage with just a few clicks. It can save your work – fix the smaller shakes while you’re strolling or standing still. So, now you can stabilize motion by using the Warp Stabilizer effect in Adobe Premiere Pro. However, the premiere stabilization is not a substitute for all – you may require some other program for your clips as you may also observe some lost details on the edges of the footage frame. Now let’s have a look at the benefits of Warp Stabilizer!
- It’s a built-in tool in Adobe Premiere Pro, so you don’t need to install additional software or plugin.
- You can easily remove jerkiness and jitter from your footage caused by your camera movement and convert them into smooth and steady shots.
- The results are fast, quick, and automatic.
Further, there are three more parameters to consider while using a Warp stabilizer for stabilizing the shaky footage.
- Process ( an algorithm that can analyze and track the footage)
- Smoothness ( called the strength of the effect)
- Framing ( it can handle the edges of the clips)
Part 3: How to Stabilize A Shaky Video In Premiere Pro with Warp Stabilizer?
Many filmmakers or shooters rely on handheld capture as it’s a fast, cheap, and usually intimate method. But do you know how they handle shaky footage? A handy Warp stabilizer tool in Adobe Premiere Pro lets you smooth your shaky videos or photos in minutes! So, if you find yourself dealing with photos or clips with a noticeable amount of shake, stabilize video premiere is your solution! Let’s discuss the process in detail about how Warp Stabilizer work in Adobe Premiere Pro to stabilize the footage.
Step 1: Choose the video clip you want to stabilize. Add it to your timeline and move to your “Effects” workspace. Hit on the Effects panel.
Step 2: Open the “Video Effects” folder and go to the ‘’Distort’’ option. Scroll down to ‘’Warp Stabilizer’’ and double click on it. Or search warp and you will see the Warp Stabilizer option under Video Effects.
Step 3: Wait for some time until Adobe Premiere Pro analyzes your video clip for Stabilization.
Step 4: Adjust the ‘’Smoothness’’ parameter of the video clip to modify the overall amount of Stabilization.
Step 5: Choose Stabilization> Result > No motion for creating the effect of a stationary camera with zero movements or select Smooth motion for only removing the shakiness of the video. And then click on Analyze to assess your video film.
Part 4: Top 5 Warp Stabilizer Tips and Troubleshooting
Premiere Pro stabilize is a powerful tool, but it also carries some limitations. Let’s check them out!
1. Consider warp stabilize during shooting:
If you keep in mind the warp stabilizer function while filming your videos or photos, you’ll get rid of fixing problems after the work. So, if you want glossy touch in your shots with zero access to a gimbal, you should consider filming with a faster shutter speed or a wider frame. In this way, you’ll get more convenience while applying the effect in the edit.
2. Modify extra cropping in your footage:
Warp stabilizer is a tool that can provide you stable footage and crop your shot as well. It can crop out the edges of your photos or videos, giving you a smooth and clean shot. To adjust the cropping in your clips, go to advanced settings and then click on Crop less <-> Smooth More Slider.
3. Analyze the effect of Warp stabilizer:
Always check the order of effects in the ‘’Effect Controls’’ folder. If you ever lost some stabilization after editing your shot, ensure not to change the Warp Stabilizer analysis source. Further, you should always re-analyze your clip after a quick color fix.
4. Nest your clips:
Sometimes we got an error message in the form of a red banner across our footage while trying to modify the speed on premiere stabilize video. Basically, we can’t use a Warp stabilizer to alter the speed of the same clip. But no worries! There is an easy fix – click on the altered clip and then click on Nest. Now, you can fix the nested sequence without any trouble.
5. Save your favorite settings as a preset:
If you’ve found a setting that gives you a happy result, you can save it as a preset for future use. In this way, you can speed up your work nicely while working with numerous shaky clips. Also, it can help if you want to make a similar effect to your multiple projects. Moreover, keep in mind that the Warp stabilizer needs to assess each clip frame by frame because it is not a one-size model that can fit all footage. Therefore, remember to click the ‘’Analyze’’ button even after putting the preset to turn it on.
Part 5: How to Stabilize Shaky Footage Without Using Warp Stabilizer?
Sometimes, the shakiness of clips is too extreme, and the Warp Stabilizer effect can’t handle it. Moreover, the filter algorithm incorrectly compensates for the camera moves. So what strategy should apply in this condition? Luckily, there is a method that can be used to stabilize your clips without using a warp stabilizer. Moreover, this process can give a hyper-realistic effect to your footage!
Step1: Import your clip into Premiere Pro Project and add it to your timeline. Hit on the “clip”, choose “Replace with After Effects Composition” to import the clip.
Step 2: Tap on the ‘’Tracker panel’’ from the right side of the screen. Scroll down to the ‘’Track Motion’’ option and open it.
Step 3: Pick the tracker marker, drag it to an area of contrasting subject and adjust it accordingly.
Tip: Remember not to make the outer box too large as After Effects can have a hard time performing the track.
Step 4: Hit the play button in the ‘’Tracker panel’’ to initiate the After Effects. Create a new ‘’Null Object’’ after the tracking process is complete.
Step 5: Move to the Tracker panel, click on “Edit Target,” choose your “Null Object” and click “OK.”
Step 6: Create a new camera and parent it to the null object for applying the stabilization effect to your clips. Enable the 3D option on both the footage layer and the null object.
Step 7: Extend your footage to compensate for any black bars that can occur as the camera pays for the shakiness. That’s it!
Conclusion:
Shaky footage is almost inescapable once you go handheld. If you don’t have a manual stabilizer like a gimbal, a tripod, or a glide cam – your work can fall victim to running, wind, walking, or other elements. In this article, we’ve introduced a quick and fast antidote for shaky footage – a Warp Stabilizer effect in the Adobe Premiere Pro. It can smooth out your shaky photos or videos with just a few clicks. So, do you know how to stabilize video premiere pro? Read out the article!
Premiere Pro Computer Setup: Meet the Minimum System Requirements
System Requirements for Running Premiere Pro: How to Set Up Computer
Benjamin Arango
Mar 27, 2024• Proven solutions
We all know that Adobe Premiere Pro is one of the best professional video editing software, while to run such a powerful video editing software, you may need a powerful windows PC or Mac as well. Though most modern computer systems can run Adobe Premiere out of the box, there are some steps to take, and potential decisions to make, before installing the software, or if you are building or buying a new computer to make sure you get the best experience possible with the software.
You may also like:Best Adobe Premiere Alternatives >>
Minimum system requirement to run Premiere Pro on Windows and Mac in 2019
Your computer should at least to meet the minimum specification below to run Premiere Pro, and if you need to edit some VR videos, your computer configuration should be higher according to the minimum specifications list on their website .
- Intel 6th or newer CPU
- Windows 10 (64-bit) 1703 or later/ MacOS V10.12 later
- 16GB RAM; 4GB GPU VRAM
- Fast internal SSD
- 1920*1080 Display resolution
- 32-bit video card
- Internet connection
However, it is important to remember this is the minimum specification, and will not necessarily give a satisfactory user experience. The recommended specifications are far more likely to provide the kind of performance expected of the software and those would be the ones to use as a guide for the minimum spec for a new computer or any upgrades being planned prior to installation.
How to check Computer Specifications
Since Premiere Pro CC only works on Windows 10 system after 2018 13.0 release, we will show you how to check if your PC meets the requirements to run Premiere Pro on Windows 10
- Press Windows Key+ E on the keyboard to bring up Windows Explorer.
- Right click the This PC option in the sidebar and then select Properties from the context menu.
- The system specification window will show up which you see the Processor, RAM, system type and other system information.
Checking the specification on your Mac is easy, just click the Apple icon in the top-left corner of your Mac, and then select About This Mac option. In the pop-up window you will see the information including Processor speed, memory and graphic card etc.
How to Set Up Computer for Premiere
1. Processor
Whilst the software will run on a Core2Duo intel or Phenom II AMD processor, it is worth noting that rendering can be highly intensive work for the processor and the fastest possible processor within your budget will pay dividends in speed of editing. In general, even a Core I3, the cheapest of the current Intel range, will be significantly faster than older processors, but because Premiere happily uses multi cored processors to their full, if the budget can reach to a quad core or more processor then do so, Premiere is a piece of software that benefits from the computational power increase more than most.
2. Memory
The next consideration is memory. The minimum specification suggests 4GB of RAM with 8GB recommended, for reliable and smooth running consider 8GB minimum, and go for as much as you can. For a computer that is used for other activities as well, multitasking can see even 24GB of Ram being fully utilized, especially if you are working on HD content. Speaking of content, this is the other aspect of memory to look at. Whilst you can use a storage drive that contains everything else on your computer to keep the media you are working on, for HD content especially, and for trouble free and the fastest possible operation it is advisable to reserve a single drive, preferably a 7200 RPM or faster one, exclusively for your media. Bandwidth and access times means Premiere will be significantly faster in operation with its media on a dedicated drive.
3. Graphic
The final aspect of specification to consider is graphics. Adobe Premiere uses a feature called the Mercury Playback Engine that allows much faster and smoother playback of video without rendering, it has two modes, software only and GPU acceleration mode (Using either CUDA or OpenCL). The GPU acceleration mode offers significant performance increases and is therefore highly desirable. However, not all GPU’s are compatible with the Mercury Playback Engine, the list of those that are is found on the previously linked specification page, so if a new computer is being built or purchased, or upgrades are being considered prior to install, it is highly desirable to utilize a compatible GPU where possible.
5. Settings
Having covered the basic specifications of a computer that will enhance the operation of Premiere, it is now time to look at the computer settings and how this can affect Premiere’s performance and usability.
The first thing to understand is that video editing, especially HD video, is bandwidth intensive, in effect, it fills up the lanes between the CPU, RAM, GPU and Hard Drive during operation. Spreading the use of that bandwidth over several devices can see huge performance gains, so one of the best ways to optimize the computer for Premier is to adjust how the hard drives are used. How effective this can be depends on the computer you are using, so we will try to cover a few different possibilities here.
6. Drive
If your computer contains a single drive, simply install Premiere and start using it, there are no options available here. If there are two drives, keep one for the operating system, programs and cache files. Use the second drive exclusively for video project files, exported projects and previews.
If the computer has three drives then keep one for the operating system and programs, the second one for the video project files, and use the third for previews, cache files and exported projects.
If you have access to even more drives, then split the cache from the previews, and ultimately have one drive each for previews, exports and cache. Spreading the files across as many drives as possible enhances performance by enabling the different read/write operations to occur without interference from each other.
That is the theory, but how do you achieve this? This is done within Premiere itself, there are two parts, accessing where the media cache files are placed is done though the edit menu, following the path edit > preferences > media.
Changing where the project files, previews and exports are stored is just as easy, and is accessed via the project menu by taking the path project > project settings > scratchdisks.
7. Sequence Setting
When working with Premiere it is important to have the correct settings for the type of media you are using and the nature of the final output. This is done within Premiere by a function known as a Sequence.
After creating a new project you are presented with the sequence dialogue box. You can have as many sequences in a single project as you like, but Premiere always assumes you require at least one and so needs the first one to be created to allow work on a project. Any media, both audio and video, placed into a sequence is automatically adapted to the settings of that sequence, so you will want to choose settings that match the original media as closely as possible. Each sequence in a project can have different settings if required, as this lessens the workload on the CPU and makes the process faster and smoother.
The sequence dialogue has three tabs, Sequence Presets, Settings and Tracks
The Preset Tab makes setting up a new sequence much simpler. Choosing a preset enables Premiere to choose the settings that best match the chosen video and audio format. There are a wide range of presets available to suit the most commonly used media types, they are organized based on camera formats. Within each group there are numerous settings and configurations to choose from based around frame sizes and interlacing. Whilst choosing the correct preset can be a little daunting to the uninitiated, ensuring the number of frames per second, the frame size and codec are correct is all that is required.
Once the preset is chosen you can move to the settings tab to adjust the preset manually. Some settings will not be adjustable in this tab due to the specific optimization required for the input media.
Because the presets do such a good job it is not really necessary to adjust anything in the settings tab, and unless you are trying to do something very specific.
While the standard presets are usually suitable, on occasion you may desire a custom setting. To do this, choose a sequence preset that is close to your media, and then make custom selections in the Settings tab. By selecting the Save Preset option on the Settings tab you can then create a custom setting with those parameters. Give the preset a suitable name in the Save Settings dialog and add any notes that are needed. The preset can be found in the Custom folder under Available Presets.
Those with the Apple Prores Codec on their computers can use this as the preview codec if required. By choosing Quicktime as the preview format in a custom editing mode, and lastly Apple Prores as the required codec.
Conclusion
If your computer failed to meet the requirement to run Premiere Pro, you may need to spend some money to buy a powerful computer or choose another professional video editing software similar to Premiere Pro, or choose a video editing software. If your computer isn’t powerful enough to run Premiere Pro, you will get awful experience at editing footage because of the long loading time and stuck playback.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
We all know that Adobe Premiere Pro is one of the best professional video editing software, while to run such a powerful video editing software, you may need a powerful windows PC or Mac as well. Though most modern computer systems can run Adobe Premiere out of the box, there are some steps to take, and potential decisions to make, before installing the software, or if you are building or buying a new computer to make sure you get the best experience possible with the software.
You may also like:Best Adobe Premiere Alternatives >>
Minimum system requirement to run Premiere Pro on Windows and Mac in 2019
Your computer should at least to meet the minimum specification below to run Premiere Pro, and if you need to edit some VR videos, your computer configuration should be higher according to the minimum specifications list on their website .
- Intel 6th or newer CPU
- Windows 10 (64-bit) 1703 or later/ MacOS V10.12 later
- 16GB RAM; 4GB GPU VRAM
- Fast internal SSD
- 1920*1080 Display resolution
- 32-bit video card
- Internet connection
However, it is important to remember this is the minimum specification, and will not necessarily give a satisfactory user experience. The recommended specifications are far more likely to provide the kind of performance expected of the software and those would be the ones to use as a guide for the minimum spec for a new computer or any upgrades being planned prior to installation.
How to check Computer Specifications
Since Premiere Pro CC only works on Windows 10 system after 2018 13.0 release, we will show you how to check if your PC meets the requirements to run Premiere Pro on Windows 10
- Press Windows Key+ E on the keyboard to bring up Windows Explorer.
- Right click the This PC option in the sidebar and then select Properties from the context menu.
- The system specification window will show up which you see the Processor, RAM, system type and other system information.
Checking the specification on your Mac is easy, just click the Apple icon in the top-left corner of your Mac, and then select About This Mac option. In the pop-up window you will see the information including Processor speed, memory and graphic card etc.
How to Set Up Computer for Premiere
1. Processor
Whilst the software will run on a Core2Duo intel or Phenom II AMD processor, it is worth noting that rendering can be highly intensive work for the processor and the fastest possible processor within your budget will pay dividends in speed of editing. In general, even a Core I3, the cheapest of the current Intel range, will be significantly faster than older processors, but because Premiere happily uses multi cored processors to their full, if the budget can reach to a quad core or more processor then do so, Premiere is a piece of software that benefits from the computational power increase more than most.
2. Memory
The next consideration is memory. The minimum specification suggests 4GB of RAM with 8GB recommended, for reliable and smooth running consider 8GB minimum, and go for as much as you can. For a computer that is used for other activities as well, multitasking can see even 24GB of Ram being fully utilized, especially if you are working on HD content. Speaking of content, this is the other aspect of memory to look at. Whilst you can use a storage drive that contains everything else on your computer to keep the media you are working on, for HD content especially, and for trouble free and the fastest possible operation it is advisable to reserve a single drive, preferably a 7200 RPM or faster one, exclusively for your media. Bandwidth and access times means Premiere will be significantly faster in operation with its media on a dedicated drive.
3. Graphic
The final aspect of specification to consider is graphics. Adobe Premiere uses a feature called the Mercury Playback Engine that allows much faster and smoother playback of video without rendering, it has two modes, software only and GPU acceleration mode (Using either CUDA or OpenCL). The GPU acceleration mode offers significant performance increases and is therefore highly desirable. However, not all GPU’s are compatible with the Mercury Playback Engine, the list of those that are is found on the previously linked specification page, so if a new computer is being built or purchased, or upgrades are being considered prior to install, it is highly desirable to utilize a compatible GPU where possible.
5. Settings
Having covered the basic specifications of a computer that will enhance the operation of Premiere, it is now time to look at the computer settings and how this can affect Premiere’s performance and usability.
The first thing to understand is that video editing, especially HD video, is bandwidth intensive, in effect, it fills up the lanes between the CPU, RAM, GPU and Hard Drive during operation. Spreading the use of that bandwidth over several devices can see huge performance gains, so one of the best ways to optimize the computer for Premier is to adjust how the hard drives are used. How effective this can be depends on the computer you are using, so we will try to cover a few different possibilities here.
6. Drive
If your computer contains a single drive, simply install Premiere and start using it, there are no options available here. If there are two drives, keep one for the operating system, programs and cache files. Use the second drive exclusively for video project files, exported projects and previews.
If the computer has three drives then keep one for the operating system and programs, the second one for the video project files, and use the third for previews, cache files and exported projects.
If you have access to even more drives, then split the cache from the previews, and ultimately have one drive each for previews, exports and cache. Spreading the files across as many drives as possible enhances performance by enabling the different read/write operations to occur without interference from each other.
That is the theory, but how do you achieve this? This is done within Premiere itself, there are two parts, accessing where the media cache files are placed is done though the edit menu, following the path edit > preferences > media.
Changing where the project files, previews and exports are stored is just as easy, and is accessed via the project menu by taking the path project > project settings > scratchdisks.
7. Sequence Setting
When working with Premiere it is important to have the correct settings for the type of media you are using and the nature of the final output. This is done within Premiere by a function known as a Sequence.
After creating a new project you are presented with the sequence dialogue box. You can have as many sequences in a single project as you like, but Premiere always assumes you require at least one and so needs the first one to be created to allow work on a project. Any media, both audio and video, placed into a sequence is automatically adapted to the settings of that sequence, so you will want to choose settings that match the original media as closely as possible. Each sequence in a project can have different settings if required, as this lessens the workload on the CPU and makes the process faster and smoother.
The sequence dialogue has three tabs, Sequence Presets, Settings and Tracks
The Preset Tab makes setting up a new sequence much simpler. Choosing a preset enables Premiere to choose the settings that best match the chosen video and audio format. There are a wide range of presets available to suit the most commonly used media types, they are organized based on camera formats. Within each group there are numerous settings and configurations to choose from based around frame sizes and interlacing. Whilst choosing the correct preset can be a little daunting to the uninitiated, ensuring the number of frames per second, the frame size and codec are correct is all that is required.
Once the preset is chosen you can move to the settings tab to adjust the preset manually. Some settings will not be adjustable in this tab due to the specific optimization required for the input media.
Because the presets do such a good job it is not really necessary to adjust anything in the settings tab, and unless you are trying to do something very specific.
While the standard presets are usually suitable, on occasion you may desire a custom setting. To do this, choose a sequence preset that is close to your media, and then make custom selections in the Settings tab. By selecting the Save Preset option on the Settings tab you can then create a custom setting with those parameters. Give the preset a suitable name in the Save Settings dialog and add any notes that are needed. The preset can be found in the Custom folder under Available Presets.
Those with the Apple Prores Codec on their computers can use this as the preview codec if required. By choosing Quicktime as the preview format in a custom editing mode, and lastly Apple Prores as the required codec.
Conclusion
If your computer failed to meet the requirement to run Premiere Pro, you may need to spend some money to buy a powerful computer or choose another professional video editing software similar to Premiere Pro, or choose a video editing software. If your computer isn’t powerful enough to run Premiere Pro, you will get awful experience at editing footage because of the long loading time and stuck playback.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
We all know that Adobe Premiere Pro is one of the best professional video editing software, while to run such a powerful video editing software, you may need a powerful windows PC or Mac as well. Though most modern computer systems can run Adobe Premiere out of the box, there are some steps to take, and potential decisions to make, before installing the software, or if you are building or buying a new computer to make sure you get the best experience possible with the software.
You may also like:Best Adobe Premiere Alternatives >>
Minimum system requirement to run Premiere Pro on Windows and Mac in 2019
Your computer should at least to meet the minimum specification below to run Premiere Pro, and if you need to edit some VR videos, your computer configuration should be higher according to the minimum specifications list on their website .
- Intel 6th or newer CPU
- Windows 10 (64-bit) 1703 or later/ MacOS V10.12 later
- 16GB RAM; 4GB GPU VRAM
- Fast internal SSD
- 1920*1080 Display resolution
- 32-bit video card
- Internet connection
However, it is important to remember this is the minimum specification, and will not necessarily give a satisfactory user experience. The recommended specifications are far more likely to provide the kind of performance expected of the software and those would be the ones to use as a guide for the minimum spec for a new computer or any upgrades being planned prior to installation.
How to check Computer Specifications
Since Premiere Pro CC only works on Windows 10 system after 2018 13.0 release, we will show you how to check if your PC meets the requirements to run Premiere Pro on Windows 10
- Press Windows Key+ E on the keyboard to bring up Windows Explorer.
- Right click the This PC option in the sidebar and then select Properties from the context menu.
- The system specification window will show up which you see the Processor, RAM, system type and other system information.
Checking the specification on your Mac is easy, just click the Apple icon in the top-left corner of your Mac, and then select About This Mac option. In the pop-up window you will see the information including Processor speed, memory and graphic card etc.
How to Set Up Computer for Premiere
1. Processor
Whilst the software will run on a Core2Duo intel or Phenom II AMD processor, it is worth noting that rendering can be highly intensive work for the processor and the fastest possible processor within your budget will pay dividends in speed of editing. In general, even a Core I3, the cheapest of the current Intel range, will be significantly faster than older processors, but because Premiere happily uses multi cored processors to their full, if the budget can reach to a quad core or more processor then do so, Premiere is a piece of software that benefits from the computational power increase more than most.
2. Memory
The next consideration is memory. The minimum specification suggests 4GB of RAM with 8GB recommended, for reliable and smooth running consider 8GB minimum, and go for as much as you can. For a computer that is used for other activities as well, multitasking can see even 24GB of Ram being fully utilized, especially if you are working on HD content. Speaking of content, this is the other aspect of memory to look at. Whilst you can use a storage drive that contains everything else on your computer to keep the media you are working on, for HD content especially, and for trouble free and the fastest possible operation it is advisable to reserve a single drive, preferably a 7200 RPM or faster one, exclusively for your media. Bandwidth and access times means Premiere will be significantly faster in operation with its media on a dedicated drive.
3. Graphic
The final aspect of specification to consider is graphics. Adobe Premiere uses a feature called the Mercury Playback Engine that allows much faster and smoother playback of video without rendering, it has two modes, software only and GPU acceleration mode (Using either CUDA or OpenCL). The GPU acceleration mode offers significant performance increases and is therefore highly desirable. However, not all GPU’s are compatible with the Mercury Playback Engine, the list of those that are is found on the previously linked specification page, so if a new computer is being built or purchased, or upgrades are being considered prior to install, it is highly desirable to utilize a compatible GPU where possible.
5. Settings
Having covered the basic specifications of a computer that will enhance the operation of Premiere, it is now time to look at the computer settings and how this can affect Premiere’s performance and usability.
The first thing to understand is that video editing, especially HD video, is bandwidth intensive, in effect, it fills up the lanes between the CPU, RAM, GPU and Hard Drive during operation. Spreading the use of that bandwidth over several devices can see huge performance gains, so one of the best ways to optimize the computer for Premier is to adjust how the hard drives are used. How effective this can be depends on the computer you are using, so we will try to cover a few different possibilities here.
6. Drive
If your computer contains a single drive, simply install Premiere and start using it, there are no options available here. If there are two drives, keep one for the operating system, programs and cache files. Use the second drive exclusively for video project files, exported projects and previews.
If the computer has three drives then keep one for the operating system and programs, the second one for the video project files, and use the third for previews, cache files and exported projects.
If you have access to even more drives, then split the cache from the previews, and ultimately have one drive each for previews, exports and cache. Spreading the files across as many drives as possible enhances performance by enabling the different read/write operations to occur without interference from each other.
That is the theory, but how do you achieve this? This is done within Premiere itself, there are two parts, accessing where the media cache files are placed is done though the edit menu, following the path edit > preferences > media.
Changing where the project files, previews and exports are stored is just as easy, and is accessed via the project menu by taking the path project > project settings > scratchdisks.
7. Sequence Setting
When working with Premiere it is important to have the correct settings for the type of media you are using and the nature of the final output. This is done within Premiere by a function known as a Sequence.
After creating a new project you are presented with the sequence dialogue box. You can have as many sequences in a single project as you like, but Premiere always assumes you require at least one and so needs the first one to be created to allow work on a project. Any media, both audio and video, placed into a sequence is automatically adapted to the settings of that sequence, so you will want to choose settings that match the original media as closely as possible. Each sequence in a project can have different settings if required, as this lessens the workload on the CPU and makes the process faster and smoother.
The sequence dialogue has three tabs, Sequence Presets, Settings and Tracks
The Preset Tab makes setting up a new sequence much simpler. Choosing a preset enables Premiere to choose the settings that best match the chosen video and audio format. There are a wide range of presets available to suit the most commonly used media types, they are organized based on camera formats. Within each group there are numerous settings and configurations to choose from based around frame sizes and interlacing. Whilst choosing the correct preset can be a little daunting to the uninitiated, ensuring the number of frames per second, the frame size and codec are correct is all that is required.
Once the preset is chosen you can move to the settings tab to adjust the preset manually. Some settings will not be adjustable in this tab due to the specific optimization required for the input media.
Because the presets do such a good job it is not really necessary to adjust anything in the settings tab, and unless you are trying to do something very specific.
While the standard presets are usually suitable, on occasion you may desire a custom setting. To do this, choose a sequence preset that is close to your media, and then make custom selections in the Settings tab. By selecting the Save Preset option on the Settings tab you can then create a custom setting with those parameters. Give the preset a suitable name in the Save Settings dialog and add any notes that are needed. The preset can be found in the Custom folder under Available Presets.
Those with the Apple Prores Codec on their computers can use this as the preview codec if required. By choosing Quicktime as the preview format in a custom editing mode, and lastly Apple Prores as the required codec.
Conclusion
If your computer failed to meet the requirement to run Premiere Pro, you may need to spend some money to buy a powerful computer or choose another professional video editing software similar to Premiere Pro, or choose a video editing software. If your computer isn’t powerful enough to run Premiere Pro, you will get awful experience at editing footage because of the long loading time and stuck playback.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
We all know that Adobe Premiere Pro is one of the best professional video editing software, while to run such a powerful video editing software, you may need a powerful windows PC or Mac as well. Though most modern computer systems can run Adobe Premiere out of the box, there are some steps to take, and potential decisions to make, before installing the software, or if you are building or buying a new computer to make sure you get the best experience possible with the software.
You may also like:Best Adobe Premiere Alternatives >>
Minimum system requirement to run Premiere Pro on Windows and Mac in 2019
Your computer should at least to meet the minimum specification below to run Premiere Pro, and if you need to edit some VR videos, your computer configuration should be higher according to the minimum specifications list on their website .
- Intel 6th or newer CPU
- Windows 10 (64-bit) 1703 or later/ MacOS V10.12 later
- 16GB RAM; 4GB GPU VRAM
- Fast internal SSD
- 1920*1080 Display resolution
- 32-bit video card
- Internet connection
However, it is important to remember this is the minimum specification, and will not necessarily give a satisfactory user experience. The recommended specifications are far more likely to provide the kind of performance expected of the software and those would be the ones to use as a guide for the minimum spec for a new computer or any upgrades being planned prior to installation.
How to check Computer Specifications
Since Premiere Pro CC only works on Windows 10 system after 2018 13.0 release, we will show you how to check if your PC meets the requirements to run Premiere Pro on Windows 10
- Press Windows Key+ E on the keyboard to bring up Windows Explorer.
- Right click the This PC option in the sidebar and then select Properties from the context menu.
- The system specification window will show up which you see the Processor, RAM, system type and other system information.
Checking the specification on your Mac is easy, just click the Apple icon in the top-left corner of your Mac, and then select About This Mac option. In the pop-up window you will see the information including Processor speed, memory and graphic card etc.
How to Set Up Computer for Premiere
1. Processor
Whilst the software will run on a Core2Duo intel or Phenom II AMD processor, it is worth noting that rendering can be highly intensive work for the processor and the fastest possible processor within your budget will pay dividends in speed of editing. In general, even a Core I3, the cheapest of the current Intel range, will be significantly faster than older processors, but because Premiere happily uses multi cored processors to their full, if the budget can reach to a quad core or more processor then do so, Premiere is a piece of software that benefits from the computational power increase more than most.
2. Memory
The next consideration is memory. The minimum specification suggests 4GB of RAM with 8GB recommended, for reliable and smooth running consider 8GB minimum, and go for as much as you can. For a computer that is used for other activities as well, multitasking can see even 24GB of Ram being fully utilized, especially if you are working on HD content. Speaking of content, this is the other aspect of memory to look at. Whilst you can use a storage drive that contains everything else on your computer to keep the media you are working on, for HD content especially, and for trouble free and the fastest possible operation it is advisable to reserve a single drive, preferably a 7200 RPM or faster one, exclusively for your media. Bandwidth and access times means Premiere will be significantly faster in operation with its media on a dedicated drive.
3. Graphic
The final aspect of specification to consider is graphics. Adobe Premiere uses a feature called the Mercury Playback Engine that allows much faster and smoother playback of video without rendering, it has two modes, software only and GPU acceleration mode (Using either CUDA or OpenCL). The GPU acceleration mode offers significant performance increases and is therefore highly desirable. However, not all GPU’s are compatible with the Mercury Playback Engine, the list of those that are is found on the previously linked specification page, so if a new computer is being built or purchased, or upgrades are being considered prior to install, it is highly desirable to utilize a compatible GPU where possible.
5. Settings
Having covered the basic specifications of a computer that will enhance the operation of Premiere, it is now time to look at the computer settings and how this can affect Premiere’s performance and usability.
The first thing to understand is that video editing, especially HD video, is bandwidth intensive, in effect, it fills up the lanes between the CPU, RAM, GPU and Hard Drive during operation. Spreading the use of that bandwidth over several devices can see huge performance gains, so one of the best ways to optimize the computer for Premier is to adjust how the hard drives are used. How effective this can be depends on the computer you are using, so we will try to cover a few different possibilities here.
6. Drive
If your computer contains a single drive, simply install Premiere and start using it, there are no options available here. If there are two drives, keep one for the operating system, programs and cache files. Use the second drive exclusively for video project files, exported projects and previews.
If the computer has three drives then keep one for the operating system and programs, the second one for the video project files, and use the third for previews, cache files and exported projects.
If you have access to even more drives, then split the cache from the previews, and ultimately have one drive each for previews, exports and cache. Spreading the files across as many drives as possible enhances performance by enabling the different read/write operations to occur without interference from each other.
That is the theory, but how do you achieve this? This is done within Premiere itself, there are two parts, accessing where the media cache files are placed is done though the edit menu, following the path edit > preferences > media.
Changing where the project files, previews and exports are stored is just as easy, and is accessed via the project menu by taking the path project > project settings > scratchdisks.
7. Sequence Setting
When working with Premiere it is important to have the correct settings for the type of media you are using and the nature of the final output. This is done within Premiere by a function known as a Sequence.
After creating a new project you are presented with the sequence dialogue box. You can have as many sequences in a single project as you like, but Premiere always assumes you require at least one and so needs the first one to be created to allow work on a project. Any media, both audio and video, placed into a sequence is automatically adapted to the settings of that sequence, so you will want to choose settings that match the original media as closely as possible. Each sequence in a project can have different settings if required, as this lessens the workload on the CPU and makes the process faster and smoother.
The sequence dialogue has three tabs, Sequence Presets, Settings and Tracks
The Preset Tab makes setting up a new sequence much simpler. Choosing a preset enables Premiere to choose the settings that best match the chosen video and audio format. There are a wide range of presets available to suit the most commonly used media types, they are organized based on camera formats. Within each group there are numerous settings and configurations to choose from based around frame sizes and interlacing. Whilst choosing the correct preset can be a little daunting to the uninitiated, ensuring the number of frames per second, the frame size and codec are correct is all that is required.
Once the preset is chosen you can move to the settings tab to adjust the preset manually. Some settings will not be adjustable in this tab due to the specific optimization required for the input media.
Because the presets do such a good job it is not really necessary to adjust anything in the settings tab, and unless you are trying to do something very specific.
While the standard presets are usually suitable, on occasion you may desire a custom setting. To do this, choose a sequence preset that is close to your media, and then make custom selections in the Settings tab. By selecting the Save Preset option on the Settings tab you can then create a custom setting with those parameters. Give the preset a suitable name in the Save Settings dialog and add any notes that are needed. The preset can be found in the Custom folder under Available Presets.
Those with the Apple Prores Codec on their computers can use this as the preview codec if required. By choosing Quicktime as the preview format in a custom editing mode, and lastly Apple Prores as the required codec.
Conclusion
If your computer failed to meet the requirement to run Premiere Pro, you may need to spend some money to buy a powerful computer or choose another professional video editing software similar to Premiere Pro, or choose a video editing software. If your computer isn’t powerful enough to run Premiere Pro, you will get awful experience at editing footage because of the long loading time and stuck playback.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
The Art of Color Correction: A Final Cut Pro Guide
Color Correction in Final Cut Pro
Benjamin Arango
Mar 27, 2024• Proven solutions
Most of the advanced camera units these days are capable enough to produce shots with rich quality automatically but still some professionals need to edit captured videos for little color correction. The major reasons behind this additional color correction are:
- Some people need to correct their mistakes on captured videos; it can be due to an incorrect balance of white and due to under or over-exposure at some points.
- Customize different video clips by matching them so that they appear in sequence even if they are captured at different moments.
- For creating a specific style or look in order to support your mood; for example, one may need to make scenes appear cold, dark, cheery, warm, bright or foreboding.
No matter what you want to do for the customization of your videos, Final Cut Pro can provide your complete assistance. The details below can help you to collect complete information about color correction techniques.
The steps below can help all beginners to develop easy video edited projects using Final Cut Pro, but if some of you find this platform a little difficult then it is good to start practicing as a beginner on Wondershare Filmora for Mac . This is a well-known video editor tool for Mac users that contains all powerful features and an interactive user interface to facilitate all beginners.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Related article:
Methods to Correct Color in Final Cut Pro
Those who wish to use FCP for color signal editing need to follow these steps:
Step 1
First you need to open Color Board on FCP as there is an automatic color correction tool available inside. The Video Board can be opened by using three different ways:
- You can select audio enhancement and color correction options available below the viewer and then hit “Show Color Board”. It can be simply done by pressing CMD + 6.
- On effect browser you can easily access color correction effects inside the color category; that is also easier to allocate.
- Choose Window and then click on Go To, you will find Color Board on the appeared drop-down menu.
- All the color correction effects will start appearing in the effects section available on the video inspector.
Step 2
As soon as you start working on Color Board, it is good to open Video Scopes on your system. For this you need to click on a small icon of light switch available at the top right corner of the viewer and then select Show Video Scopes from drop-down menu. It can be also done by simply pressing Command+7.
As soon as you make this selection, the video scopes window will automatically appear on the next viewer. Here users can easily obtain information related to the current video frame, and they can be easily configured as per need. Go to the settings option available on the top right side of the window and then hit the Waveform option.
Step 3
Now it is time to work on color correction directly. There are three types of color corrections that users need to work upon: Hue, Saturation, and Exposure. Here is some brief information about all of these:
Exposure or Brightness: On the Color board window you can easily make adjustments for brightness levels of video clips. As you move on to different portions of the image ranging between dark and white parts, the scope will keep on displaying waveforms with values between 0 and 100 representing darkness and brightness respectively. The master slider available on screen helps users to make overall adjustments for brightness by using three control options: highlights for white circles, midtones for gray scale and shadows for black parts. Consider waveform values as a guide for adjustment and move controls up and down to adjust contrast as per need.
Saturation: It refers to the richness of colors in an image. Simply select saturation pane from the color board and on the video scopes window you can use the settings menu directly to adjust saturation information for every pixel. The image pixels that are far away from the center of vectorscope circle means they are more saturated as compared to pixels that are little bit closure.
Hue: Hue displays the actual color values in images or frames in terms of primary colors: red, blue, and yellow. Use color pane from color board to adjust hue that is displayed in the form of a rainbow on screen. It is possible to manipulate values for highlights, midtones and shadows individually as per need. Using the histogram option available on settings menu can help you to make direct adjustments for all these components.
Step 4
It is possible to preview all the corrections on the original image before making them final. Simple hit the arrow with left-facing formation in the top left corner of the Color Board and then return to the video inspector. Hit on the Blue box to switch between correction On and Off options.
Here’s the video tutorial on how to correct color in Final Cut Pro:
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
Most of the advanced camera units these days are capable enough to produce shots with rich quality automatically but still some professionals need to edit captured videos for little color correction. The major reasons behind this additional color correction are:
- Some people need to correct their mistakes on captured videos; it can be due to an incorrect balance of white and due to under or over-exposure at some points.
- Customize different video clips by matching them so that they appear in sequence even if they are captured at different moments.
- For creating a specific style or look in order to support your mood; for example, one may need to make scenes appear cold, dark, cheery, warm, bright or foreboding.
No matter what you want to do for the customization of your videos, Final Cut Pro can provide your complete assistance. The details below can help you to collect complete information about color correction techniques.
The steps below can help all beginners to develop easy video edited projects using Final Cut Pro, but if some of you find this platform a little difficult then it is good to start practicing as a beginner on Wondershare Filmora for Mac . This is a well-known video editor tool for Mac users that contains all powerful features and an interactive user interface to facilitate all beginners.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Related article:
Methods to Correct Color in Final Cut Pro
Those who wish to use FCP for color signal editing need to follow these steps:
Step 1
First you need to open Color Board on FCP as there is an automatic color correction tool available inside. The Video Board can be opened by using three different ways:
- You can select audio enhancement and color correction options available below the viewer and then hit “Show Color Board”. It can be simply done by pressing CMD + 6.
- On effect browser you can easily access color correction effects inside the color category; that is also easier to allocate.
- Choose Window and then click on Go To, you will find Color Board on the appeared drop-down menu.
- All the color correction effects will start appearing in the effects section available on the video inspector.
Step 2
As soon as you start working on Color Board, it is good to open Video Scopes on your system. For this you need to click on a small icon of light switch available at the top right corner of the viewer and then select Show Video Scopes from drop-down menu. It can be also done by simply pressing Command+7.
As soon as you make this selection, the video scopes window will automatically appear on the next viewer. Here users can easily obtain information related to the current video frame, and they can be easily configured as per need. Go to the settings option available on the top right side of the window and then hit the Waveform option.
Step 3
Now it is time to work on color correction directly. There are three types of color corrections that users need to work upon: Hue, Saturation, and Exposure. Here is some brief information about all of these:
Exposure or Brightness: On the Color board window you can easily make adjustments for brightness levels of video clips. As you move on to different portions of the image ranging between dark and white parts, the scope will keep on displaying waveforms with values between 0 and 100 representing darkness and brightness respectively. The master slider available on screen helps users to make overall adjustments for brightness by using three control options: highlights for white circles, midtones for gray scale and shadows for black parts. Consider waveform values as a guide for adjustment and move controls up and down to adjust contrast as per need.
Saturation: It refers to the richness of colors in an image. Simply select saturation pane from the color board and on the video scopes window you can use the settings menu directly to adjust saturation information for every pixel. The image pixels that are far away from the center of vectorscope circle means they are more saturated as compared to pixels that are little bit closure.
Hue: Hue displays the actual color values in images or frames in terms of primary colors: red, blue, and yellow. Use color pane from color board to adjust hue that is displayed in the form of a rainbow on screen. It is possible to manipulate values for highlights, midtones and shadows individually as per need. Using the histogram option available on settings menu can help you to make direct adjustments for all these components.
Step 4
It is possible to preview all the corrections on the original image before making them final. Simple hit the arrow with left-facing formation in the top left corner of the Color Board and then return to the video inspector. Hit on the Blue box to switch between correction On and Off options.
Here’s the video tutorial on how to correct color in Final Cut Pro:
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
Most of the advanced camera units these days are capable enough to produce shots with rich quality automatically but still some professionals need to edit captured videos for little color correction. The major reasons behind this additional color correction are:
- Some people need to correct their mistakes on captured videos; it can be due to an incorrect balance of white and due to under or over-exposure at some points.
- Customize different video clips by matching them so that they appear in sequence even if they are captured at different moments.
- For creating a specific style or look in order to support your mood; for example, one may need to make scenes appear cold, dark, cheery, warm, bright or foreboding.
No matter what you want to do for the customization of your videos, Final Cut Pro can provide your complete assistance. The details below can help you to collect complete information about color correction techniques.
The steps below can help all beginners to develop easy video edited projects using Final Cut Pro, but if some of you find this platform a little difficult then it is good to start practicing as a beginner on Wondershare Filmora for Mac . This is a well-known video editor tool for Mac users that contains all powerful features and an interactive user interface to facilitate all beginners.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Related article:
Methods to Correct Color in Final Cut Pro
Those who wish to use FCP for color signal editing need to follow these steps:
Step 1
First you need to open Color Board on FCP as there is an automatic color correction tool available inside. The Video Board can be opened by using three different ways:
- You can select audio enhancement and color correction options available below the viewer and then hit “Show Color Board”. It can be simply done by pressing CMD + 6.
- On effect browser you can easily access color correction effects inside the color category; that is also easier to allocate.
- Choose Window and then click on Go To, you will find Color Board on the appeared drop-down menu.
- All the color correction effects will start appearing in the effects section available on the video inspector.
Step 2
As soon as you start working on Color Board, it is good to open Video Scopes on your system. For this you need to click on a small icon of light switch available at the top right corner of the viewer and then select Show Video Scopes from drop-down menu. It can be also done by simply pressing Command+7.
As soon as you make this selection, the video scopes window will automatically appear on the next viewer. Here users can easily obtain information related to the current video frame, and they can be easily configured as per need. Go to the settings option available on the top right side of the window and then hit the Waveform option.
Step 3
Now it is time to work on color correction directly. There are three types of color corrections that users need to work upon: Hue, Saturation, and Exposure. Here is some brief information about all of these:
Exposure or Brightness: On the Color board window you can easily make adjustments for brightness levels of video clips. As you move on to different portions of the image ranging between dark and white parts, the scope will keep on displaying waveforms with values between 0 and 100 representing darkness and brightness respectively. The master slider available on screen helps users to make overall adjustments for brightness by using three control options: highlights for white circles, midtones for gray scale and shadows for black parts. Consider waveform values as a guide for adjustment and move controls up and down to adjust contrast as per need.
Saturation: It refers to the richness of colors in an image. Simply select saturation pane from the color board and on the video scopes window you can use the settings menu directly to adjust saturation information for every pixel. The image pixels that are far away from the center of vectorscope circle means they are more saturated as compared to pixels that are little bit closure.
Hue: Hue displays the actual color values in images or frames in terms of primary colors: red, blue, and yellow. Use color pane from color board to adjust hue that is displayed in the form of a rainbow on screen. It is possible to manipulate values for highlights, midtones and shadows individually as per need. Using the histogram option available on settings menu can help you to make direct adjustments for all these components.
Step 4
It is possible to preview all the corrections on the original image before making them final. Simple hit the arrow with left-facing formation in the top left corner of the Color Board and then return to the video inspector. Hit on the Blue box to switch between correction On and Off options.
Here’s the video tutorial on how to correct color in Final Cut Pro:
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
Most of the advanced camera units these days are capable enough to produce shots with rich quality automatically but still some professionals need to edit captured videos for little color correction. The major reasons behind this additional color correction are:
- Some people need to correct their mistakes on captured videos; it can be due to an incorrect balance of white and due to under or over-exposure at some points.
- Customize different video clips by matching them so that they appear in sequence even if they are captured at different moments.
- For creating a specific style or look in order to support your mood; for example, one may need to make scenes appear cold, dark, cheery, warm, bright or foreboding.
No matter what you want to do for the customization of your videos, Final Cut Pro can provide your complete assistance. The details below can help you to collect complete information about color correction techniques.
The steps below can help all beginners to develop easy video edited projects using Final Cut Pro, but if some of you find this platform a little difficult then it is good to start practicing as a beginner on Wondershare Filmora for Mac . This is a well-known video editor tool for Mac users that contains all powerful features and an interactive user interface to facilitate all beginners.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Related article:
Methods to Correct Color in Final Cut Pro
Those who wish to use FCP for color signal editing need to follow these steps:
Step 1
First you need to open Color Board on FCP as there is an automatic color correction tool available inside. The Video Board can be opened by using three different ways:
- You can select audio enhancement and color correction options available below the viewer and then hit “Show Color Board”. It can be simply done by pressing CMD + 6.
- On effect browser you can easily access color correction effects inside the color category; that is also easier to allocate.
- Choose Window and then click on Go To, you will find Color Board on the appeared drop-down menu.
- All the color correction effects will start appearing in the effects section available on the video inspector.
Step 2
As soon as you start working on Color Board, it is good to open Video Scopes on your system. For this you need to click on a small icon of light switch available at the top right corner of the viewer and then select Show Video Scopes from drop-down menu. It can be also done by simply pressing Command+7.
As soon as you make this selection, the video scopes window will automatically appear on the next viewer. Here users can easily obtain information related to the current video frame, and they can be easily configured as per need. Go to the settings option available on the top right side of the window and then hit the Waveform option.
Step 3
Now it is time to work on color correction directly. There are three types of color corrections that users need to work upon: Hue, Saturation, and Exposure. Here is some brief information about all of these:
Exposure or Brightness: On the Color board window you can easily make adjustments for brightness levels of video clips. As you move on to different portions of the image ranging between dark and white parts, the scope will keep on displaying waveforms with values between 0 and 100 representing darkness and brightness respectively. The master slider available on screen helps users to make overall adjustments for brightness by using three control options: highlights for white circles, midtones for gray scale and shadows for black parts. Consider waveform values as a guide for adjustment and move controls up and down to adjust contrast as per need.
Saturation: It refers to the richness of colors in an image. Simply select saturation pane from the color board and on the video scopes window you can use the settings menu directly to adjust saturation information for every pixel. The image pixels that are far away from the center of vectorscope circle means they are more saturated as compared to pixels that are little bit closure.
Hue: Hue displays the actual color values in images or frames in terms of primary colors: red, blue, and yellow. Use color pane from color board to adjust hue that is displayed in the form of a rainbow on screen. It is possible to manipulate values for highlights, midtones and shadows individually as per need. Using the histogram option available on settings menu can help you to make direct adjustments for all these components.
Step 4
It is possible to preview all the corrections on the original image before making them final. Simple hit the arrow with left-facing formation in the top left corner of the Color Board and then return to the video inspector. Hit on the Blue box to switch between correction On and Off options.
Here’s the video tutorial on how to correct color in Final Cut Pro:
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
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- Link: https://ai-video-tools.techidaily.com/updated-2024-approved-20-time-saving-adobe-premiere-shortcuts-every-editor-should-know/
- License: This work is licensed under CC BY-NC-SA 4.0.
