In 2024, Pixel Perfect Mastering Aspect Ratio and Resolution Calculations
Pixel Perfect: Mastering Aspect Ratio and Resolution Calculations
How to Calculate Pixel Calculator Ratio
An easy yet powerful editor
Numerous effects to choose from
Detailed tutorials provided by the official channel
Size, formats, and resolution… What are pixels exactly doing with it?
So let’s review some basics on pixel calculator ratio to create an easy life, your workflow more productive, and your photos of the ideal size for the intended purpose.
In this article
01 [What is Pixel Aspect Ratio?](#Part 1)
02 [How is Pixel Ratio Calculated?](#Part 2)
03 [Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?](#Part 3)
04 [Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio](#Part 4)
05 [How Aspect Ratios Affect UI/UX Design?](#Part 5)
Part 1 What is Pixel Aspect Ratio?
A digital image is not a single non-dividable thing. You’ll see that your photo is like a mosaic formed by small tiles if you zoom in far enough, which are known as pixels in photography.
The amount of these pixels and the way they are divided are the two elements that you’re required to take into account to know more about the resolution and pixel calculator ratio.
The Pixel Aspect Ratio is simply the latest way of defining the length of one side of a pixel in context to the length of the other.
Let’s say the ratio is 1:1; each side of the pixel is the same length as the other, also known as a square in pixels.
If the ratio is 2:1, it means that one side is twice the length of the other.
NOTE: The ‘Aspect Ratio’ does not define the actual or exact length of the side of a pixel is, just its “relative” size of one side to the other. The actual length will depend on how much you shrink or stretch a photo when recreating it. But if the Pixel Calculator Ratio is 1:1, then the pixels will always be square irrespective of the size of that particular photo.
Part 2 How is Pixel Ratio Calculated?
You can use a pixel ratio calculator to calculate the pixels within a screen. So, we’d like to suggest a calculator by xwebtools.com.
Here, you can see tabs, namely the Common Ratios Ratio Width, Ratio Height, Pixels Width, and Pixels Height.
How it works:
This pixel ratio calculator converts pixel dimensions to aspect ratios. It is an online free tool that assists you in calculating the aspect ratio value of an object or a photo.
The conversion can be carried in both ways, aspect ratio to pixels and pixels to aspect ratio. This screen resolution calculator offers a powerful and simple tool that can convert the ratio of images to pixels resolution and pixels to ratio dimensions.
You need to provide Pixels Width and Pixels Height to calculate the aspect ratio; the aspect ratio will be automatically calculated.
You need to provide Ratio Height and Ratio Width to calculate pixel resolutions. Both the Pixels Width and Height will get automatically calculated.
Part 3 What is Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?
Pixel ratio: Adobe Premiere Pro
As we already discussed, an aspect ratio defines width to height. The still picture and video frames have a frame aspect ratio. The pixels that create the frame have a pixel aspect ratio (sometimes called PAR).
Different video recording standards have different aspect ratios. For instance, you record video for television in either a 16:9 or a 4:3 frame aspect ratio.
You set the frame and pixel aspect when you create a project in Adobe Premiere Pro. Once you set these ratios, you can’t change them for that project. However, you can edit the aspect ratio of a sequence. You can also use assets made with different aspect ratios in the project.
Premiere Pro automatically compensates for the pixel aspect ratio of source files.
If an asset still feels distorted, you can manually mention its pixel aspect ratio. But that isn’t very clear, especially for a beginner. This is why we recommend doing the following.
Pixel ratio: Wondershare Filmora
You need a converter or a video editor to change the aspect ratio permanently. Here we humbly recommend an excellent aspect ratio changer - Wondershare Filmora video editor, which helps you make 4:3, 9:16, 16:9, and 1:1 aspect ratio videos pretty quickly.
Wondershare Filmora
Get started easily with Filmora’s powerful performance, intuitive interface, and countless effects!
Try It Free Try It Free Try It Free Learn More >
Furthermore, you can conveniently share these videos on YouTube, Apple TV, Vimeo, and mobile devices.
Transform aspect ratio at the beginning interface
Wondershare Filmora Video Editor helps you change the project aspect ratio right after launching the video editor program.
If you click the drop-down menu, you will see the usual 16:9, 1:1, 9:16, 4:3, and 21:9 aspect ratios.
Unlike Adobe Premiere Pro, Wondershare Filmora offers you four more ways of setting aspect ratios efficiently.
Method 2: You can change the aspect ratio under Project Settings
Method 3: Change the aspect ratio of video with Auto-Reframe
Method 4: Change aspect ratio during Editing
Method 5: Change aspect ratio while Exporting
Thus, using the Wondershare Filmora along with the pixel ratio calculator makes a difference!
Part 4 Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio
Although the image aspect ratio comes from its width and height, it also contains multiple subsets that help to define image proportions properly.
1 - Pixel aspect ratio
Pixel aspect ratio (PAR) is the proportion of the specific pixels within an image. They are generally square within the pixel aspect ratio of 1:1.
But sometimes, specific images are optimized for certain types of displays. And, they have rectangular pixels with an aspect ratio of 4:3 or similar.
2 - Display aspect ratio
The display aspect ratio (DAR) is the designers’ most frequent aspect ratio and gets generally synced with the general term.
As the name suggests, the display aspect ratio refers to the proportions of an image as it appears on different screens out there.
Some devices, such as televisions and cameras, have a fixed DAR for images to display nicely on these devices.
They need optimization for their specific or respective aspect ratio. For instance, a typical display aspect ratio for the widescreen video on a television screen or monitor screen is 16:9.
They appear distorted when images with different aspect ratios are presented on these devices. Digital SLR camera sensors also consist of a fixed display aspect ratio, which controls how pictures captured by the camera will be displayed and saved.
3 - Storage aspect ratio
Storage aspect ratio, commonly known as (SAR) is an aspect ratio formula that concerns specifically to encoded digital video files. SAR refers to the height and the width relationship in video frame size, and it is required to be consistent among all individual frames.
SAR x PAR = DAR for max widescreen videos in a usual used formula.
Part 1 Part 5: How Aspect Ratios Affect UI/UX Design?
Aspect ratios play a vital part in any project that consists of displaying and capturing photographs, videos, or other image-based files in an ideal manner. The camera’s fixed aspect ratio can considerably impact, especially for photographers.
And for videographers or anyone working with slideshows, animations, and other motion projects, the aspect ratio is a prominent element for correct display on mobile devices and widescreen.
But even in the environment of responsive web design, problems can arise, such as when an image is not adjustable for display without compromising its quality or content.
A small example is when you need a square image with a 1:1 aspect ratio to insert into a rectangular box on a web page. To accommodate varying image size requirements, proportions and size may need adjustment.
In an increasingly picture-driven digital world, videos and images that look even slightly out of the way add to a visitor’s negative impression of a site. Besides those forced into the wrong configurations can even interfere with a site’s usability.
Poorly proportioned user guide or product images video that’s too stretched to check clearly can affect both a visitor’s want and their ability to use the site. Developers, designers, and anyone working with images will need to know how aspect ratios work and manipulate them for the best visual effect.
Various pixel calculator ratios, both paid and free, have popped up on the web to streamline the process.
Key Takeaways from This Episode
● An overview of pixels
● Understanding the importance of pixel ratio calculators
● Different pixel ratios and their impact on UI/UX design
Size, formats, and resolution… What are pixels exactly doing with it?
So let’s review some basics on pixel calculator ratio to create an easy life, your workflow more productive, and your photos of the ideal size for the intended purpose.
In this article
01 [What is Pixel Aspect Ratio?](#Part 1)
02 [How is Pixel Ratio Calculated?](#Part 2)
03 [Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?](#Part 3)
04 [Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio](#Part 4)
05 [How Aspect Ratios Affect UI/UX Design?](#Part 5)
Part 1 What is Pixel Aspect Ratio?
A digital image is not a single non-dividable thing. You’ll see that your photo is like a mosaic formed by small tiles if you zoom in far enough, which are known as pixels in photography.
The amount of these pixels and the way they are divided are the two elements that you’re required to take into account to know more about the resolution and pixel calculator ratio.
The Pixel Aspect Ratio is simply the latest way of defining the length of one side of a pixel in context to the length of the other.
Let’s say the ratio is 1:1; each side of the pixel is the same length as the other, also known as a square in pixels.
If the ratio is 2:1, it means that one side is twice the length of the other.
NOTE: The ‘Aspect Ratio’ does not define the actual or exact length of the side of a pixel is, just its “relative” size of one side to the other. The actual length will depend on how much you shrink or stretch a photo when recreating it. But if the Pixel Calculator Ratio is 1:1, then the pixels will always be square irrespective of the size of that particular photo.
Part 2 How is Pixel Ratio Calculated?
You can use a pixel ratio calculator to calculate the pixels within a screen. So, we’d like to suggest a calculator by xwebtools.com.
Here, you can see tabs, namely the Common Ratios Ratio Width, Ratio Height, Pixels Width, and Pixels Height.
How it works:
This pixel ratio calculator converts pixel dimensions to aspect ratios. It is an online free tool that assists you in calculating the aspect ratio value of an object or a photo.
The conversion can be carried in both ways, aspect ratio to pixels and pixels to aspect ratio. This screen resolution calculator offers a powerful and simple tool that can convert the ratio of images to pixels resolution and pixels to ratio dimensions.
You need to provide Pixels Width and Pixels Height to calculate the aspect ratio; the aspect ratio will be automatically calculated.
You need to provide Ratio Height and Ratio Width to calculate pixel resolutions. Both the Pixels Width and Height will get automatically calculated.
Part 3 What is Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?
Pixel ratio: Adobe Premiere Pro
As we already discussed, an aspect ratio defines width to height. The still picture and video frames have a frame aspect ratio. The pixels that create the frame have a pixel aspect ratio (sometimes called PAR).
Different video recording standards have different aspect ratios. For instance, you record video for television in either a 16:9 or a 4:3 frame aspect ratio.
You set the frame and pixel aspect when you create a project in Adobe Premiere Pro. Once you set these ratios, you can’t change them for that project. However, you can edit the aspect ratio of a sequence. You can also use assets made with different aspect ratios in the project.
Premiere Pro automatically compensates for the pixel aspect ratio of source files.
If an asset still feels distorted, you can manually mention its pixel aspect ratio. But that isn’t very clear, especially for a beginner. This is why we recommend doing the following.
Pixel ratio: Wondershare Filmora
You need a converter or a video editor to change the aspect ratio permanently. Here we humbly recommend an excellent aspect ratio changer - Wondershare Filmora video editor, which helps you make 4:3, 9:16, 16:9, and 1:1 aspect ratio videos pretty quickly.
Wondershare Filmora
Get started easily with Filmora’s powerful performance, intuitive interface, and countless effects!
Try It Free Try It Free Try It Free Learn More >
Furthermore, you can conveniently share these videos on YouTube, Apple TV, Vimeo, and mobile devices.
Transform aspect ratio at the beginning interface
Wondershare Filmora Video Editor helps you change the project aspect ratio right after launching the video editor program.
If you click the drop-down menu, you will see the usual 16:9, 1:1, 9:16, 4:3, and 21:9 aspect ratios.
Unlike Adobe Premiere Pro, Wondershare Filmora offers you four more ways of setting aspect ratios efficiently.
Method 2: You can change the aspect ratio under Project Settings
Method 3: Change the aspect ratio of video with Auto-Reframe
Method 4: Change aspect ratio during Editing
Method 5: Change aspect ratio while Exporting
Thus, using the Wondershare Filmora along with the pixel ratio calculator makes a difference!
Part 4 Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio
Although the image aspect ratio comes from its width and height, it also contains multiple subsets that help to define image proportions properly.
1 - Pixel aspect ratio
Pixel aspect ratio (PAR) is the proportion of the specific pixels within an image. They are generally square within the pixel aspect ratio of 1:1.
But sometimes, specific images are optimized for certain types of displays. And, they have rectangular pixels with an aspect ratio of 4:3 or similar.
2 - Display aspect ratio
The display aspect ratio (DAR) is the designers’ most frequent aspect ratio and gets generally synced with the general term.
As the name suggests, the display aspect ratio refers to the proportions of an image as it appears on different screens out there.
Some devices, such as televisions and cameras, have a fixed DAR for images to display nicely on these devices.
They need optimization for their specific or respective aspect ratio. For instance, a typical display aspect ratio for the widescreen video on a television screen or monitor screen is 16:9.
They appear distorted when images with different aspect ratios are presented on these devices. Digital SLR camera sensors also consist of a fixed display aspect ratio, which controls how pictures captured by the camera will be displayed and saved.
3 - Storage aspect ratio
Storage aspect ratio, commonly known as (SAR) is an aspect ratio formula that concerns specifically to encoded digital video files. SAR refers to the height and the width relationship in video frame size, and it is required to be consistent among all individual frames.
SAR x PAR = DAR for max widescreen videos in a usual used formula.
Part 1 Part 5: How Aspect Ratios Affect UI/UX Design?
Aspect ratios play a vital part in any project that consists of displaying and capturing photographs, videos, or other image-based files in an ideal manner. The camera’s fixed aspect ratio can considerably impact, especially for photographers.
And for videographers or anyone working with slideshows, animations, and other motion projects, the aspect ratio is a prominent element for correct display on mobile devices and widescreen.
But even in the environment of responsive web design, problems can arise, such as when an image is not adjustable for display without compromising its quality or content.
A small example is when you need a square image with a 1:1 aspect ratio to insert into a rectangular box on a web page. To accommodate varying image size requirements, proportions and size may need adjustment.
In an increasingly picture-driven digital world, videos and images that look even slightly out of the way add to a visitor’s negative impression of a site. Besides those forced into the wrong configurations can even interfere with a site’s usability.
Poorly proportioned user guide or product images video that’s too stretched to check clearly can affect both a visitor’s want and their ability to use the site. Developers, designers, and anyone working with images will need to know how aspect ratios work and manipulate them for the best visual effect.
Various pixel calculator ratios, both paid and free, have popped up on the web to streamline the process.
Key Takeaways from This Episode
● An overview of pixels
● Understanding the importance of pixel ratio calculators
● Different pixel ratios and their impact on UI/UX design
Size, formats, and resolution… What are pixels exactly doing with it?
So let’s review some basics on pixel calculator ratio to create an easy life, your workflow more productive, and your photos of the ideal size for the intended purpose.
In this article
01 [What is Pixel Aspect Ratio?](#Part 1)
02 [How is Pixel Ratio Calculated?](#Part 2)
03 [Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?](#Part 3)
04 [Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio](#Part 4)
05 [How Aspect Ratios Affect UI/UX Design?](#Part 5)
Part 1 What is Pixel Aspect Ratio?
A digital image is not a single non-dividable thing. You’ll see that your photo is like a mosaic formed by small tiles if you zoom in far enough, which are known as pixels in photography.
The amount of these pixels and the way they are divided are the two elements that you’re required to take into account to know more about the resolution and pixel calculator ratio.
The Pixel Aspect Ratio is simply the latest way of defining the length of one side of a pixel in context to the length of the other.
Let’s say the ratio is 1:1; each side of the pixel is the same length as the other, also known as a square in pixels.
If the ratio is 2:1, it means that one side is twice the length of the other.
NOTE: The ‘Aspect Ratio’ does not define the actual or exact length of the side of a pixel is, just its “relative” size of one side to the other. The actual length will depend on how much you shrink or stretch a photo when recreating it. But if the Pixel Calculator Ratio is 1:1, then the pixels will always be square irrespective of the size of that particular photo.
Part 2 How is Pixel Ratio Calculated?
You can use a pixel ratio calculator to calculate the pixels within a screen. So, we’d like to suggest a calculator by xwebtools.com.
Here, you can see tabs, namely the Common Ratios Ratio Width, Ratio Height, Pixels Width, and Pixels Height.
How it works:
This pixel ratio calculator converts pixel dimensions to aspect ratios. It is an online free tool that assists you in calculating the aspect ratio value of an object or a photo.
The conversion can be carried in both ways, aspect ratio to pixels and pixels to aspect ratio. This screen resolution calculator offers a powerful and simple tool that can convert the ratio of images to pixels resolution and pixels to ratio dimensions.
You need to provide Pixels Width and Pixels Height to calculate the aspect ratio; the aspect ratio will be automatically calculated.
You need to provide Ratio Height and Ratio Width to calculate pixel resolutions. Both the Pixels Width and Height will get automatically calculated.
Part 3 What is Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?
Pixel ratio: Adobe Premiere Pro
As we already discussed, an aspect ratio defines width to height. The still picture and video frames have a frame aspect ratio. The pixels that create the frame have a pixel aspect ratio (sometimes called PAR).
Different video recording standards have different aspect ratios. For instance, you record video for television in either a 16:9 or a 4:3 frame aspect ratio.
You set the frame and pixel aspect when you create a project in Adobe Premiere Pro. Once you set these ratios, you can’t change them for that project. However, you can edit the aspect ratio of a sequence. You can also use assets made with different aspect ratios in the project.
Premiere Pro automatically compensates for the pixel aspect ratio of source files.
If an asset still feels distorted, you can manually mention its pixel aspect ratio. But that isn’t very clear, especially for a beginner. This is why we recommend doing the following.
Pixel ratio: Wondershare Filmora
You need a converter or a video editor to change the aspect ratio permanently. Here we humbly recommend an excellent aspect ratio changer - Wondershare Filmora video editor, which helps you make 4:3, 9:16, 16:9, and 1:1 aspect ratio videos pretty quickly.
Wondershare Filmora
Get started easily with Filmora’s powerful performance, intuitive interface, and countless effects!
Try It Free Try It Free Try It Free Learn More >
Furthermore, you can conveniently share these videos on YouTube, Apple TV, Vimeo, and mobile devices.
Transform aspect ratio at the beginning interface
Wondershare Filmora Video Editor helps you change the project aspect ratio right after launching the video editor program.
If you click the drop-down menu, you will see the usual 16:9, 1:1, 9:16, 4:3, and 21:9 aspect ratios.
Unlike Adobe Premiere Pro, Wondershare Filmora offers you four more ways of setting aspect ratios efficiently.
Method 2: You can change the aspect ratio under Project Settings
Method 3: Change the aspect ratio of video with Auto-Reframe
Method 4: Change aspect ratio during Editing
Method 5: Change aspect ratio while Exporting
Thus, using the Wondershare Filmora along with the pixel ratio calculator makes a difference!
Part 4 Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio
Although the image aspect ratio comes from its width and height, it also contains multiple subsets that help to define image proportions properly.
1 - Pixel aspect ratio
Pixel aspect ratio (PAR) is the proportion of the specific pixels within an image. They are generally square within the pixel aspect ratio of 1:1.
But sometimes, specific images are optimized for certain types of displays. And, they have rectangular pixels with an aspect ratio of 4:3 or similar.
2 - Display aspect ratio
The display aspect ratio (DAR) is the designers’ most frequent aspect ratio and gets generally synced with the general term.
As the name suggests, the display aspect ratio refers to the proportions of an image as it appears on different screens out there.
Some devices, such as televisions and cameras, have a fixed DAR for images to display nicely on these devices.
They need optimization for their specific or respective aspect ratio. For instance, a typical display aspect ratio for the widescreen video on a television screen or monitor screen is 16:9.
They appear distorted when images with different aspect ratios are presented on these devices. Digital SLR camera sensors also consist of a fixed display aspect ratio, which controls how pictures captured by the camera will be displayed and saved.
3 - Storage aspect ratio
Storage aspect ratio, commonly known as (SAR) is an aspect ratio formula that concerns specifically to encoded digital video files. SAR refers to the height and the width relationship in video frame size, and it is required to be consistent among all individual frames.
SAR x PAR = DAR for max widescreen videos in a usual used formula.
Part 1 Part 5: How Aspect Ratios Affect UI/UX Design?
Aspect ratios play a vital part in any project that consists of displaying and capturing photographs, videos, or other image-based files in an ideal manner. The camera’s fixed aspect ratio can considerably impact, especially for photographers.
And for videographers or anyone working with slideshows, animations, and other motion projects, the aspect ratio is a prominent element for correct display on mobile devices and widescreen.
But even in the environment of responsive web design, problems can arise, such as when an image is not adjustable for display without compromising its quality or content.
A small example is when you need a square image with a 1:1 aspect ratio to insert into a rectangular box on a web page. To accommodate varying image size requirements, proportions and size may need adjustment.
In an increasingly picture-driven digital world, videos and images that look even slightly out of the way add to a visitor’s negative impression of a site. Besides those forced into the wrong configurations can even interfere with a site’s usability.
Poorly proportioned user guide or product images video that’s too stretched to check clearly can affect both a visitor’s want and their ability to use the site. Developers, designers, and anyone working with images will need to know how aspect ratios work and manipulate them for the best visual effect.
Various pixel calculator ratios, both paid and free, have popped up on the web to streamline the process.
Key Takeaways from This Episode
● An overview of pixels
● Understanding the importance of pixel ratio calculators
● Different pixel ratios and their impact on UI/UX design
Size, formats, and resolution… What are pixels exactly doing with it?
So let’s review some basics on pixel calculator ratio to create an easy life, your workflow more productive, and your photos of the ideal size for the intended purpose.
In this article
01 [What is Pixel Aspect Ratio?](#Part 1)
02 [How is Pixel Ratio Calculated?](#Part 2)
03 [Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?](#Part 3)
04 [Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio](#Part 4)
05 [How Aspect Ratios Affect UI/UX Design?](#Part 5)
Part 1 What is Pixel Aspect Ratio?
A digital image is not a single non-dividable thing. You’ll see that your photo is like a mosaic formed by small tiles if you zoom in far enough, which are known as pixels in photography.
The amount of these pixels and the way they are divided are the two elements that you’re required to take into account to know more about the resolution and pixel calculator ratio.
The Pixel Aspect Ratio is simply the latest way of defining the length of one side of a pixel in context to the length of the other.
Let’s say the ratio is 1:1; each side of the pixel is the same length as the other, also known as a square in pixels.
If the ratio is 2:1, it means that one side is twice the length of the other.
NOTE: The ‘Aspect Ratio’ does not define the actual or exact length of the side of a pixel is, just its “relative” size of one side to the other. The actual length will depend on how much you shrink or stretch a photo when recreating it. But if the Pixel Calculator Ratio is 1:1, then the pixels will always be square irrespective of the size of that particular photo.
Part 2 How is Pixel Ratio Calculated?
You can use a pixel ratio calculator to calculate the pixels within a screen. So, we’d like to suggest a calculator by xwebtools.com.
Here, you can see tabs, namely the Common Ratios Ratio Width, Ratio Height, Pixels Width, and Pixels Height.
How it works:
This pixel ratio calculator converts pixel dimensions to aspect ratios. It is an online free tool that assists you in calculating the aspect ratio value of an object or a photo.
The conversion can be carried in both ways, aspect ratio to pixels and pixels to aspect ratio. This screen resolution calculator offers a powerful and simple tool that can convert the ratio of images to pixels resolution and pixels to ratio dimensions.
You need to provide Pixels Width and Pixels Height to calculate the aspect ratio; the aspect ratio will be automatically calculated.
You need to provide Ratio Height and Ratio Width to calculate pixel resolutions. Both the Pixels Width and Height will get automatically calculated.
Part 3 What is Par (pixel Aspect Ratio) in Adobe Premiere Pro/Filmora?
Pixel ratio: Adobe Premiere Pro
As we already discussed, an aspect ratio defines width to height. The still picture and video frames have a frame aspect ratio. The pixels that create the frame have a pixel aspect ratio (sometimes called PAR).
Different video recording standards have different aspect ratios. For instance, you record video for television in either a 16:9 or a 4:3 frame aspect ratio.
You set the frame and pixel aspect when you create a project in Adobe Premiere Pro. Once you set these ratios, you can’t change them for that project. However, you can edit the aspect ratio of a sequence. You can also use assets made with different aspect ratios in the project.
Premiere Pro automatically compensates for the pixel aspect ratio of source files.
If an asset still feels distorted, you can manually mention its pixel aspect ratio. But that isn’t very clear, especially for a beginner. This is why we recommend doing the following.
Pixel ratio: Wondershare Filmora
You need a converter or a video editor to change the aspect ratio permanently. Here we humbly recommend an excellent aspect ratio changer - Wondershare Filmora video editor, which helps you make 4:3, 9:16, 16:9, and 1:1 aspect ratio videos pretty quickly.
Wondershare Filmora
Get started easily with Filmora’s powerful performance, intuitive interface, and countless effects!
Try It Free Try It Free Try It Free Learn More >
Furthermore, you can conveniently share these videos on YouTube, Apple TV, Vimeo, and mobile devices.
Transform aspect ratio at the beginning interface
Wondershare Filmora Video Editor helps you change the project aspect ratio right after launching the video editor program.
If you click the drop-down menu, you will see the usual 16:9, 1:1, 9:16, 4:3, and 21:9 aspect ratios.
Unlike Adobe Premiere Pro, Wondershare Filmora offers you four more ways of setting aspect ratios efficiently.
Method 2: You can change the aspect ratio under Project Settings
Method 3: Change the aspect ratio of video with Auto-Reframe
Method 4: Change aspect ratio during Editing
Method 5: Change aspect ratio while Exporting
Thus, using the Wondershare Filmora along with the pixel ratio calculator makes a difference!
Part 4 Difference among Pixel Aspect Ratio, Display Aspect Ratio, and Storage Aspect Ratio
Although the image aspect ratio comes from its width and height, it also contains multiple subsets that help to define image proportions properly.
1 - Pixel aspect ratio
Pixel aspect ratio (PAR) is the proportion of the specific pixels within an image. They are generally square within the pixel aspect ratio of 1:1.
But sometimes, specific images are optimized for certain types of displays. And, they have rectangular pixels with an aspect ratio of 4:3 or similar.
2 - Display aspect ratio
The display aspect ratio (DAR) is the designers’ most frequent aspect ratio and gets generally synced with the general term.
As the name suggests, the display aspect ratio refers to the proportions of an image as it appears on different screens out there.
Some devices, such as televisions and cameras, have a fixed DAR for images to display nicely on these devices.
They need optimization for their specific or respective aspect ratio. For instance, a typical display aspect ratio for the widescreen video on a television screen or monitor screen is 16:9.
They appear distorted when images with different aspect ratios are presented on these devices. Digital SLR camera sensors also consist of a fixed display aspect ratio, which controls how pictures captured by the camera will be displayed and saved.
3 - Storage aspect ratio
Storage aspect ratio, commonly known as (SAR) is an aspect ratio formula that concerns specifically to encoded digital video files. SAR refers to the height and the width relationship in video frame size, and it is required to be consistent among all individual frames.
SAR x PAR = DAR for max widescreen videos in a usual used formula.
Part 1 Part 5: How Aspect Ratios Affect UI/UX Design?
Aspect ratios play a vital part in any project that consists of displaying and capturing photographs, videos, or other image-based files in an ideal manner. The camera’s fixed aspect ratio can considerably impact, especially for photographers.
And for videographers or anyone working with slideshows, animations, and other motion projects, the aspect ratio is a prominent element for correct display on mobile devices and widescreen.
But even in the environment of responsive web design, problems can arise, such as when an image is not adjustable for display without compromising its quality or content.
A small example is when you need a square image with a 1:1 aspect ratio to insert into a rectangular box on a web page. To accommodate varying image size requirements, proportions and size may need adjustment.
In an increasingly picture-driven digital world, videos and images that look even slightly out of the way add to a visitor’s negative impression of a site. Besides those forced into the wrong configurations can even interfere with a site’s usability.
Poorly proportioned user guide or product images video that’s too stretched to check clearly can affect both a visitor’s want and their ability to use the site. Developers, designers, and anyone working with images will need to know how aspect ratios work and manipulate them for the best visual effect.
Various pixel calculator ratios, both paid and free, have popped up on the web to streamline the process.
Key Takeaways from This Episode
● An overview of pixels
● Understanding the importance of pixel ratio calculators
● Different pixel ratios and their impact on UI/UX design
Pick From the Best: Top 10 iMovie Alternatives on Android
iMovie is one of the best software options out there for novice editors. However, it is available only in iOS and macOS versions, leaving people looking for a capable iMovie alternative for Android.
Luckily, multiple apps are available with similar qualities to the iOS software, with rich effects, soundtracks, and themes to select from. Go through this list of the best apps similar to iMovie for Android, and choose one to use.
Part 1: Top Pick for iMovie for Android Alternative
To start off the discussion on the most similar Android alternative iMovie apps you will find in terms of functionality and benefits; three stand out. This table cohesively represents them for you to know the main points of concern about each.
#1 Wondershare Filmora- Best for Custom video edits with preset templates
For high-quality video recording and then editing, the Filmora tool is useful. Easily add preset filters and templates, adjust sound quality, and more.
Download now on Google Play Store and Apple App Store .
Rating: 4 out of 5
Free, with in-app costs starting at USD 1.99.
Part 2: Ultimate Overview on 10 Best Alternatives to iMovie for Android
Yes, the above three are the best iMovie similar apps for Android. However, they are not the only ones to consider seriously. Go through this comparative table on the top 10 alternatives you should try, with their main points on display.
| OS | Price | Ease of Use | Overall Rating | |
|---|---|---|---|---|
| Filmora | Android, iOS | Free, cost starting at USD 1.99 | Easy | 4 out of 5 |
| VideoShow | Android, iOS | Free, cost between USD 0.99- USD 179.99 | Medium-Difficult | 2.5 out of 5 |
| VivaVideo | Android, iOS | Free, cost starting at USD 1.99 | Easy | 3.8 out of 5 |
| VidTrim Pro | Android | USD 3.49 | Easy-Medium | 4.1 out of 5 |
| WeVideo | Android, iOS, Chromebook, Windows | Creator- USD 9.99, Business- USD 36.99, Enterprise- quoted price | Easy-Medium | 4.4 out of 5 |
| Magisto | Android, iOS | Premium- USD 4.99, Professional- USD 9.99, Business- USD 34.99 | Medium-Difficult | 3.9 out of 5 |
| KineMaster | Android, iOS | Free | Easy-Medium | 4 out of 5 |
| Spice | Android, iOS | Free with costs between USD 0.99 to USD 89.99 | Medium-Difficult | 4.5 out of 5 |
| Filmora 11 (Windows) | Windows 11/10/8.1/8/7 | Monthly- USD 19.99, Quarterly- USD 49.99, Annual- USD 79.99 | Easy | 4.4 out of 5 |
| Filmora 11 (Mac) | macOS 10.14 - macOS 11 | Monthly- USD 19.99, Quarterly- USD 49.99, Annual- USD 79.99 | Easy | 4.4 out of 5 |
Part 3: 8 Best Windows Movie Maker Alternatives for Android
Indeed, multiple capable apps are available that Android users can opt for to improve their video projects with high-quality edits, both custom and using preset templates. Learn more about them here and find the most useful Android app equivalent to iMovie for your personalized needs.
1. Filmora
Best for Custom Video Edits With Pre-Set Templates
One of the best Android alternatives to iMovie is Filmora, with its high-grade editing functions after shooting the videos. Use standard tools like splitting, cutting, copying, and merging while also available premium features like voiceover addition and background removal.
Cost: Free with in-app purchases starting at USD 1.99.
Key Features:
- Easily share files on social media accounts.
- Add options from a list of fun stickers.
- Multiple preset dynamic filters and effects for use.
- Add voiceover and background sound effects.
Pros
- Record videos before editing
- The free trial comes with various creative editing tools
- Suitable for all types of users due to its simple UI
Cons
- Need to upgrade for the full advanced feature list access
- Watermark removal is not available for free
How to download: Google Play Store , Apple App Store
Ratings: 4 out of 5 (TechRadar)
Summary of user verdict:
Users enjoy this app’s high-quality tools and editing interface, as per reviews .
2. VideoShow
Best for Funny Videos and Memes
Another top Samsung equivalent to iMovie, among other Android smartphones, is VideoShow. Using this, you can create engaging and visually attractive videos with animations, music, and FX transitions.
Cost: In-app purchases range from USD 0.99- USD 179.99.
Key Features:
Easily zoom in/out and adjust speed.
- Ready-made templates and filters are available.
- Add customized background audio.
- Add doodles and images into videos.
Pros
- Access materials center for filters, themes, GIFs, stickers, etc
- Compress videos to save space
- Add voiceovers to the videos
Cons
- The slightly complex learning curve here
- Need to upgrade to get full use of preset functions
How to download: Google Play Store , Apple App Store
Ratings: 2.5 out of 5
Summary of user verdict:
VideoShow is a major choice for intuitive and simple usability during video editing. Users enjoy the various tools available.
3. VivaVideo
Best for Short Video Recording and Editing
VivaVideo is a capable app similar to iMovie for Android that allows users the opportunity to create high-resolution short videos and then fine-tune them better. Here, easily make changes like cutting out the background, removing unnecessary sound effects, changing speed, and more.
Cost: Free with in-app purchases starting at USD 1.99
Key Features:
- Select chorus in video playback with one click.
- Translate subtitle tracks.
- PIP support for additional features like denoise, voice changer, reverse, etc.
- Restore the deleted background with a single tap.
Pros
- Optimized toolbar for easy feature access
- Add and organize favorites
- Long press on the video to include PIP elements
Cons
- No major dimension support
- Advanced benefits like 4K UHD support requires upgrades
How to download: Google Play Store , Apple App Store
Ratings: 3.8 out of 5
Summary of user verdict:
As per reviews , users can easily find and use the various top-grade functions here, like unwanted part removal, duration changing, cropping, and canvas support.
4. VidTrim Pro
Best for Video Edits With Transcoding Support
The VidTrim Pro is a professional-level Android-based video editor. Use it to cut video files into shorter clips and merge, adjust the visuals with effects like Blur, Luma, etc., and much more. It is compatible with ARM/x86 CPUs as well.
Cost: USD 3.49
Key Features:
- Convert files into audio type, i.e., MP3.
- Multiple effects like Negate, Vignette, Negate, etc.
- True rotation if you are using encoding and quick rotation if not.
- Transcoding is supported for video files.
Pros
- Multiple languages are supported
- Delete the clips easily
- Play the files before sharing
Cons
- Automatically saves into internal storage, no other choices
- No iOS alternative is available
How to download: Google Play Store
Ratings: 4.1 out of 5
Summary of user verdict:
Users leave reviews on the simple usability of the VidTrim Pro app on Google, including trimming and transcoding support here.
5. WeVideo
Best for Cloud-Based Editing on Android and Browsers
For professionals, WeVideo is a strong iMovie alternative for Android-based use. Companies and educational institutes use this app for creating short but engaging promotional videos and tutorials.
Cost: Creator- USD 9.99, Business- USD 36.99, Enterprise- quoted price
Key Features:
- Remove the background with green screen support.
- Royalty-free and commercially licensed songs are available.
- Instant upload and editing quality.
- Huge stock of images, videos, and stickers.
Pros
- Multiple platforms supported
- Accessible through browsers
- Cloud service support assures more storage
Cons
- Limited native app benefits
- Need to upgrade to a paid plan to access more publishing time
How to download: Google Play Store , Apple App Store
Ratings: 4.4 out of 5 (G2)
Summary of user verdict:
As per reviews , WeVideo is a favorite of many users, some of who have utilized it for years to create and edit stylish videos. It is simple for beginners.
6. Magisto
Best for Marketing and Promotional Video Making
Another top app similar to iMovie for Android users to depend on is Magisto. Use it to create crisp and visually appealing short videos with premium styles and standard-level editing tools.
Cost: Premium- USD 4.99, Professional- USD 9.99, Business- USD 34.99
Key Features:
- Commercially-licensed stock music is available.
- Download final files in HD quality.
- Good customer support benefits are present.
- Add personalized logo/text into videos.
Pros
- Download an unlimited number of videos
- Standard editor is available for all users
- Premium-level styles and templates are available
Cons
- Cannot make videos over 10 minutes long
- Cloud support only for Professional/Business plan users
How to download: Google Play Store , Apple App Store
Ratings: 3.9 out of 5
Summary of user verdict:
Customers and professional editing experts enjoy the easy-to-use quality of Magisto for creating marketing videos in lesser time.
7. KineMaster
Best for Advanced Video Edits on Open-Source Platform
KineMaster is an open-source app that Android users can try out to create fun videos for different needs, adding the templates available. Moreover, you can adjust the video speed, remove the background instantly, and blend different clips cohesively into one.
Cost: Free
Key Features:
- Many templates and effects are available to choose from for instant optimization.
- Reverse video playback.
- Eight different available blending modes.
- Chroma key support for background alteration.
Pros
- Open-source features
- Save and backup videos
- Remix the project with your videos and images
Cons
- Remove ads from videos if you upgrade your plan to Premium
- Watermark on free edits
How to download: Google Play Store , Apple App Store
Ratings: 4 out of 5
Summary of user verdict:
There are many high-quality functions of KineMaster. As per reviews , the green screen support is very useful for quick and efficient video edits, after which they post them easily.
8.Splice
Best for Social Media Video Editing with Precise Audio
Another top software for video editing is Splice, which is available for both professionals and beginners to try out. It comes with standard cut/trim/merge tools, besides strong audio editing feature support. Use out of the 400 available songs for background audio and more.
Cost: Free with in-app purchases between USD 0.99 to USD 89.99.
Key Features:
- Add customized texts into videos.
- Free audio tracks are available for the background.
- Speed features like hyperlapse and timelapse are available.
- Import and edit bigger file sizes.
Pros
- Mix and trim audio tracks precisely
- Control video speed and audio volume
- Share across social media platforms or save offline
Cons
- Need to opt for paid plans to access unlimited feature access
- Slightly complex to use for early beginners
How to download: Google Play Store , Apple App Store
Ratings: 4.5 out of 5
Summary of user verdict:
Splice is a useful app for various types of advanced editing work, at reasonable rates, as per reviewers .
Part 4: How To Edit a Video With an iMovie Alternative on Android
Now that you know all the best Android apps similar to iMovie choosing the best one should be easier. From an overall perspective, Filmora is one that surely stands out in terms of usability, variety of features, cost, and user-friendliness. So, you should try it out for instantaneous video editing work with movie-quality outcomes**.**
How to edit videos with Filmora?
Step1 Download the Filmora app on your Android phone.
Step2 Open the app and add video clips.
Step3 Use the tools available for specific edits. For example, click the Trim button to cut a section of the video.
Also, scale the editing timeline by pinching your fingers together.
Step4 After completing all editing steps, click on the Export button on top of the screen.
For a more detailed understanding of how the editing process works on this iMovie alternative for Android, see this tutorial video:
Final Words
All the apps mentioned are suitable for Android users for top-notch video editing work. For the best of the best benefits, you can try out Filmora, and even practice with the other choices. After checking all, you will have a better experience deciding the final choice.
Free Download For Win 7 or later(64-bit)
Free Download For macOS 10.14 or later
Part 1: Top Pick for iMovie for Android Alternative
To start off the discussion on the most similar Android alternative iMovie apps you will find in terms of functionality and benefits; three stand out. This table cohesively represents them for you to know the main points of concern about each.
#1 Wondershare Filmora- Best for Custom video edits with preset templates
For high-quality video recording and then editing, the Filmora tool is useful. Easily add preset filters and templates, adjust sound quality, and more.
Download now on Google Play Store and Apple App Store .
Rating: 4 out of 5
Free, with in-app costs starting at USD 1.99.
Part 2: Ultimate Overview on 10 Best Alternatives to iMovie for Android
Yes, the above three are the best iMovie similar apps for Android. However, they are not the only ones to consider seriously. Go through this comparative table on the top 10 alternatives you should try, with their main points on display.
| OS | Price | Ease of Use | Overall Rating | |
|---|---|---|---|---|
| Filmora | Android, iOS | Free, cost starting at USD 1.99 | Easy | 4 out of 5 |
| VideoShow | Android, iOS | Free, cost between USD 0.99- USD 179.99 | Medium-Difficult | 2.5 out of 5 |
| VivaVideo | Android, iOS | Free, cost starting at USD 1.99 | Easy | 3.8 out of 5 |
| VidTrim Pro | Android | USD 3.49 | Easy-Medium | 4.1 out of 5 |
| WeVideo | Android, iOS, Chromebook, Windows | Creator- USD 9.99, Business- USD 36.99, Enterprise- quoted price | Easy-Medium | 4.4 out of 5 |
| Magisto | Android, iOS | Premium- USD 4.99, Professional- USD 9.99, Business- USD 34.99 | Medium-Difficult | 3.9 out of 5 |
| KineMaster | Android, iOS | Free | Easy-Medium | 4 out of 5 |
| Spice | Android, iOS | Free with costs between USD 0.99 to USD 89.99 | Medium-Difficult | 4.5 out of 5 |
| Filmora 11 (Windows) | Windows 11/10/8.1/8/7 | Monthly- USD 19.99, Quarterly- USD 49.99, Annual- USD 79.99 | Easy | 4.4 out of 5 |
| Filmora 11 (Mac) | macOS 10.14 - macOS 11 | Monthly- USD 19.99, Quarterly- USD 49.99, Annual- USD 79.99 | Easy | 4.4 out of 5 |
Part 3: 8 Best Windows Movie Maker Alternatives for Android
Indeed, multiple capable apps are available that Android users can opt for to improve their video projects with high-quality edits, both custom and using preset templates. Learn more about them here and find the most useful Android app equivalent to iMovie for your personalized needs.
1. Filmora
Best for Custom Video Edits With Pre-Set Templates
One of the best Android alternatives to iMovie is Filmora, with its high-grade editing functions after shooting the videos. Use standard tools like splitting, cutting, copying, and merging while also available premium features like voiceover addition and background removal.
Cost: Free with in-app purchases starting at USD 1.99.
Key Features:
- Easily share files on social media accounts.
- Add options from a list of fun stickers.
- Multiple preset dynamic filters and effects for use.
- Add voiceover and background sound effects.
Pros
- Record videos before editing
- The free trial comes with various creative editing tools
- Suitable for all types of users due to its simple UI
Cons
- Need to upgrade for the full advanced feature list access
- Watermark removal is not available for free
How to download: Google Play Store , Apple App Store
Ratings: 4 out of 5 (TechRadar)
Summary of user verdict:
Users enjoy this app’s high-quality tools and editing interface, as per reviews .
2. VideoShow
Best for Funny Videos and Memes
Another top Samsung equivalent to iMovie, among other Android smartphones, is VideoShow. Using this, you can create engaging and visually attractive videos with animations, music, and FX transitions.
Cost: In-app purchases range from USD 0.99- USD 179.99.
Key Features:
Easily zoom in/out and adjust speed.
- Ready-made templates and filters are available.
- Add customized background audio.
- Add doodles and images into videos.
Pros
- Access materials center for filters, themes, GIFs, stickers, etc
- Compress videos to save space
- Add voiceovers to the videos
Cons
- The slightly complex learning curve here
- Need to upgrade to get full use of preset functions
How to download: Google Play Store , Apple App Store
Ratings: 2.5 out of 5
Summary of user verdict:
VideoShow is a major choice for intuitive and simple usability during video editing. Users enjoy the various tools available.
3. VivaVideo
Best for Short Video Recording and Editing
VivaVideo is a capable app similar to iMovie for Android that allows users the opportunity to create high-resolution short videos and then fine-tune them better. Here, easily make changes like cutting out the background, removing unnecessary sound effects, changing speed, and more.
Cost: Free with in-app purchases starting at USD 1.99
Key Features:
- Select chorus in video playback with one click.
- Translate subtitle tracks.
- PIP support for additional features like denoise, voice changer, reverse, etc.
- Restore the deleted background with a single tap.
Pros
- Optimized toolbar for easy feature access
- Add and organize favorites
- Long press on the video to include PIP elements
Cons
- No major dimension support
- Advanced benefits like 4K UHD support requires upgrades
How to download: Google Play Store , Apple App Store
Ratings: 3.8 out of 5
Summary of user verdict:
As per reviews , users can easily find and use the various top-grade functions here, like unwanted part removal, duration changing, cropping, and canvas support.
4. VidTrim Pro
Best for Video Edits With Transcoding Support
The VidTrim Pro is a professional-level Android-based video editor. Use it to cut video files into shorter clips and merge, adjust the visuals with effects like Blur, Luma, etc., and much more. It is compatible with ARM/x86 CPUs as well.
Cost: USD 3.49
Key Features:
- Convert files into audio type, i.e., MP3.
- Multiple effects like Negate, Vignette, Negate, etc.
- True rotation if you are using encoding and quick rotation if not.
- Transcoding is supported for video files.
Pros
- Multiple languages are supported
- Delete the clips easily
- Play the files before sharing
Cons
- Automatically saves into internal storage, no other choices
- No iOS alternative is available
How to download: Google Play Store
Ratings: 4.1 out of 5
Summary of user verdict:
Users leave reviews on the simple usability of the VidTrim Pro app on Google, including trimming and transcoding support here.
5. WeVideo
Best for Cloud-Based Editing on Android and Browsers
For professionals, WeVideo is a strong iMovie alternative for Android-based use. Companies and educational institutes use this app for creating short but engaging promotional videos and tutorials.
Cost: Creator- USD 9.99, Business- USD 36.99, Enterprise- quoted price
Key Features:
- Remove the background with green screen support.
- Royalty-free and commercially licensed songs are available.
- Instant upload and editing quality.
- Huge stock of images, videos, and stickers.
Pros
- Multiple platforms supported
- Accessible through browsers
- Cloud service support assures more storage
Cons
- Limited native app benefits
- Need to upgrade to a paid plan to access more publishing time
How to download: Google Play Store , Apple App Store
Ratings: 4.4 out of 5 (G2)
Summary of user verdict:
As per reviews , WeVideo is a favorite of many users, some of who have utilized it for years to create and edit stylish videos. It is simple for beginners.
6. Magisto
Best for Marketing and Promotional Video Making
Another top app similar to iMovie for Android users to depend on is Magisto. Use it to create crisp and visually appealing short videos with premium styles and standard-level editing tools.
Cost: Premium- USD 4.99, Professional- USD 9.99, Business- USD 34.99
Key Features:
- Commercially-licensed stock music is available.
- Download final files in HD quality.
- Good customer support benefits are present.
- Add personalized logo/text into videos.
Pros
- Download an unlimited number of videos
- Standard editor is available for all users
- Premium-level styles and templates are available
Cons
- Cannot make videos over 10 minutes long
- Cloud support only for Professional/Business plan users
How to download: Google Play Store , Apple App Store
Ratings: 3.9 out of 5
Summary of user verdict:
Customers and professional editing experts enjoy the easy-to-use quality of Magisto for creating marketing videos in lesser time.
7. KineMaster
Best for Advanced Video Edits on Open-Source Platform
KineMaster is an open-source app that Android users can try out to create fun videos for different needs, adding the templates available. Moreover, you can adjust the video speed, remove the background instantly, and blend different clips cohesively into one.
Cost: Free
Key Features:
- Many templates and effects are available to choose from for instant optimization.
- Reverse video playback.
- Eight different available blending modes.
- Chroma key support for background alteration.
Pros
- Open-source features
- Save and backup videos
- Remix the project with your videos and images
Cons
- Remove ads from videos if you upgrade your plan to Premium
- Watermark on free edits
How to download: Google Play Store , Apple App Store
Ratings: 4 out of 5
Summary of user verdict:
There are many high-quality functions of KineMaster. As per reviews , the green screen support is very useful for quick and efficient video edits, after which they post them easily.
8.Splice
Best for Social Media Video Editing with Precise Audio
Another top software for video editing is Splice, which is available for both professionals and beginners to try out. It comes with standard cut/trim/merge tools, besides strong audio editing feature support. Use out of the 400 available songs for background audio and more.
Cost: Free with in-app purchases between USD 0.99 to USD 89.99.
Key Features:
- Add customized texts into videos.
- Free audio tracks are available for the background.
- Speed features like hyperlapse and timelapse are available.
- Import and edit bigger file sizes.
Pros
- Mix and trim audio tracks precisely
- Control video speed and audio volume
- Share across social media platforms or save offline
Cons
- Need to opt for paid plans to access unlimited feature access
- Slightly complex to use for early beginners
How to download: Google Play Store , Apple App Store
Ratings: 4.5 out of 5
Summary of user verdict:
Splice is a useful app for various types of advanced editing work, at reasonable rates, as per reviewers .
Part 4: How To Edit a Video With an iMovie Alternative on Android
Now that you know all the best Android apps similar to iMovie choosing the best one should be easier. From an overall perspective, Filmora is one that surely stands out in terms of usability, variety of features, cost, and user-friendliness. So, you should try it out for instantaneous video editing work with movie-quality outcomes**.**
How to edit videos with Filmora?
Step1 Download the Filmora app on your Android phone.
Step2 Open the app and add video clips.
Step3 Use the tools available for specific edits. For example, click the Trim button to cut a section of the video.
Also, scale the editing timeline by pinching your fingers together.
Step4 After completing all editing steps, click on the Export button on top of the screen.
For a more detailed understanding of how the editing process works on this iMovie alternative for Android, see this tutorial video:
Final Words
All the apps mentioned are suitable for Android users for top-notch video editing work. For the best of the best benefits, you can try out Filmora, and even practice with the other choices. After checking all, you will have a better experience deciding the final choice.
Free Download For Win 7 or later(64-bit)
Free Download For macOS 10.14 or later
Unleash the Power of Time: FCPX Freeze Frames and Slow Motion Tutorials
Final Cut Pro X: Freeze-Frames and Slow Motion
Benjamin Arango
Mar 27, 2024• Proven solutions
A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.
This article shows you how to do this using Final Cut Pro X.
For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.
Freeze-Frames and Slow Motion in Final Cut Pro X
1. STILL FRAMES
A still-frame freezes action. For instance, here is a clip of a hummingbird getting ready to land on a bird feeder. I want to create a freeze-frame of the bird in flight. (Um, yeah, I use “freeze-frame” and “still-frame” interchangeably.)
In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.
This creates a two-second freeze-frame at the position of the playhead.
Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.
In case you were wondering, this is what the freeze looks like. It freezes the flight of the hummingbird in the middle of playback, allowing us to add graphics or other text then resume the action as though nothing had happened.
Very cool, except….
Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.
So, here’s another way to do this.
Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.
This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.
Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.
As a connected clip, we can move this new freeze-frame wherever we want. However, be careful in moving the clip, because, unless you mark the original frame with a marker (type “M”), there’s no easy way to match the still frame with the source frame, once the still frame is moved somewhere else.
I use both these techniques in many different projects.
2. HOLD FRAME
A Hold Frame is similar to an in-line still frame, but with more flexibility.
Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).
This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.
Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.
Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.
To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.
NOTE: Changing the source frame is a feature that I like a LOT!
3. SLOW (or FAST) MOTION
We use slow-motion to show events that are too fast for the unaided eye to see. And fast motion to speed up very slow events. Both of these effects use what’s called a “constant speed change,” where the entire clip changes by the same amount - either faster or slower.
WE create either effect using the same tools, just different values. Here’s how.
Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).
Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)
Three things happen at once:
- The duration of the clip changes
- The orange Retiming bar appears over the top of the clip
- The speed of the clip changes
To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).
There are two ways to change the speed of a clip.
The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.
Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.
This opens a new dialog allowing a number of changes:
- Reverse. Plays the clip in reverse.
- Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
- Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
- Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.
You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.
4. EXTRA CREDIT
There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)
Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.
- Normal. This is the best choice for speeds of 50% or faster.
- Frame Blending. This is the best choice for speeds of about 20% to 50%.
- Optical Flow. This is the best choice for speeds slower than about 20%.
Frame blending puts a short dissolve between frames when running in slow motion to improve the illusion of motion. Optical Flow invents in-between frames to minimize the jerkiness of extremely slow motion.
Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.
This is a basic tutorial about Apple Final Cut Pro X, a professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
SUMMARY
Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.
This article shows you how to do this using Final Cut Pro X.
For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.
Freeze-Frames and Slow Motion in Final Cut Pro X
1. STILL FRAMES
A still-frame freezes action. For instance, here is a clip of a hummingbird getting ready to land on a bird feeder. I want to create a freeze-frame of the bird in flight. (Um, yeah, I use “freeze-frame” and “still-frame” interchangeably.)
In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.
This creates a two-second freeze-frame at the position of the playhead.
Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.
In case you were wondering, this is what the freeze looks like. It freezes the flight of the hummingbird in the middle of playback, allowing us to add graphics or other text then resume the action as though nothing had happened.
Very cool, except….
Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.
So, here’s another way to do this.
Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.
This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.
Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.
As a connected clip, we can move this new freeze-frame wherever we want. However, be careful in moving the clip, because, unless you mark the original frame with a marker (type “M”), there’s no easy way to match the still frame with the source frame, once the still frame is moved somewhere else.
I use both these techniques in many different projects.
2. HOLD FRAME
A Hold Frame is similar to an in-line still frame, but with more flexibility.
Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).
This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.
Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.
Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.
To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.
NOTE: Changing the source frame is a feature that I like a LOT!
3. SLOW (or FAST) MOTION
We use slow-motion to show events that are too fast for the unaided eye to see. And fast motion to speed up very slow events. Both of these effects use what’s called a “constant speed change,” where the entire clip changes by the same amount - either faster or slower.
WE create either effect using the same tools, just different values. Here’s how.
Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).
Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)
Three things happen at once:
- The duration of the clip changes
- The orange Retiming bar appears over the top of the clip
- The speed of the clip changes
To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).
There are two ways to change the speed of a clip.
The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.
Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.
This opens a new dialog allowing a number of changes:
- Reverse. Plays the clip in reverse.
- Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
- Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
- Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.
You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.
4. EXTRA CREDIT
There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)
Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.
- Normal. This is the best choice for speeds of 50% or faster.
- Frame Blending. This is the best choice for speeds of about 20% to 50%.
- Optical Flow. This is the best choice for speeds slower than about 20%.
Frame blending puts a short dissolve between frames when running in slow motion to improve the illusion of motion. Optical Flow invents in-between frames to minimize the jerkiness of extremely slow motion.
Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.
This is a basic tutorial about Apple Final Cut Pro X, a professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
SUMMARY
Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.
This article shows you how to do this using Final Cut Pro X.
For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.
Freeze-Frames and Slow Motion in Final Cut Pro X
1. STILL FRAMES
A still-frame freezes action. For instance, here is a clip of a hummingbird getting ready to land on a bird feeder. I want to create a freeze-frame of the bird in flight. (Um, yeah, I use “freeze-frame” and “still-frame” interchangeably.)
In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.
This creates a two-second freeze-frame at the position of the playhead.
Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.
In case you were wondering, this is what the freeze looks like. It freezes the flight of the hummingbird in the middle of playback, allowing us to add graphics or other text then resume the action as though nothing had happened.
Very cool, except….
Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.
So, here’s another way to do this.
Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.
This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.
Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.
As a connected clip, we can move this new freeze-frame wherever we want. However, be careful in moving the clip, because, unless you mark the original frame with a marker (type “M”), there’s no easy way to match the still frame with the source frame, once the still frame is moved somewhere else.
I use both these techniques in many different projects.
2. HOLD FRAME
A Hold Frame is similar to an in-line still frame, but with more flexibility.
Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).
This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.
Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.
Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.
To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.
NOTE: Changing the source frame is a feature that I like a LOT!
3. SLOW (or FAST) MOTION
We use slow-motion to show events that are too fast for the unaided eye to see. And fast motion to speed up very slow events. Both of these effects use what’s called a “constant speed change,” where the entire clip changes by the same amount - either faster or slower.
WE create either effect using the same tools, just different values. Here’s how.
Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).
Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)
Three things happen at once:
- The duration of the clip changes
- The orange Retiming bar appears over the top of the clip
- The speed of the clip changes
To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).
There are two ways to change the speed of a clip.
The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.
Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.
This opens a new dialog allowing a number of changes:
- Reverse. Plays the clip in reverse.
- Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
- Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
- Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.
You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.
4. EXTRA CREDIT
There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)
Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.
- Normal. This is the best choice for speeds of 50% or faster.
- Frame Blending. This is the best choice for speeds of about 20% to 50%.
- Optical Flow. This is the best choice for speeds slower than about 20%.
Frame blending puts a short dissolve between frames when running in slow motion to improve the illusion of motion. Optical Flow invents in-between frames to minimize the jerkiness of extremely slow motion.
Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.
This is a basic tutorial about Apple Final Cut Pro X, a professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
SUMMARY
Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Benjamin Arango
Mar 27, 2024• Proven solutions
A very simple, yet very effective effect is changing the speed of a video clip. This could be a simple still-frame (also called “Freeze Frame”) or playing a clip in slow or fast motion.
This article shows you how to do this using Final Cut Pro X.
For more tutorials on slow-motion please refer to this article: Top 10 Slow Motion Video Editing Software.
Freeze-Frames and Slow Motion in Final Cut Pro X
1. STILL FRAMES
A still-frame freezes action. For instance, here is a clip of a hummingbird getting ready to land on a bird feeder. I want to create a freeze-frame of the bird in flight. (Um, yeah, I use “freeze-frame” and “still-frame” interchangeably.)
In Final Cut Pro X, put the playhead (or skimmer) on the frame you want to freeze and type Option+F.
This creates a two-second freeze-frame at the position of the playhead.
Adjust the duration of the frame by trimming the edge; just like any other clip. Here, for example, I’m making the duration of the freeze-frame 11 frames shorter.
In case you were wondering, this is what the freeze looks like. It freezes the flight of the hummingbird in the middle of playback, allowing us to add graphics or other text then resume the action as though nothing had happened.
Very cool, except….
Well, the good news is that this is fast and easy. The bad news is that we can’t change the location of the still frame.
So, here’s another way to do this.
Put the playhead (or skimmer, but I prefer the playhead) on the frame you want to freeze, select the clip, then type Shift+F.
This locates the source clip in the Browser, selects both the Browser and the clip, and matches the position of the In, Out, and playhead.
Now, with the Browser selected, type Option+F. This creates a freeze-frame of the Browser clip and places it at the location of the playhead as a connected clip in the Timeline.
As a connected clip, we can move this new freeze-frame wherever we want. However, be careful in moving the clip, because, unless you mark the original frame with a marker (type “M”), there’s no easy way to match the still frame with the source frame, once the still frame is moved somewhere else.
I use both these techniques in many different projects.
2. HOLD FRAME
A Hold Frame is similar to an in-line still frame, but with more flexibility.
Put the playhead (or skimmer) on the frame you want to hold. Then, Then, using either Modify > Retime or the “Smurf-on-a-headset” Toolbar icon, choose Hold Frame (or type: Shift+H).
This displays the orange Retime editor bar above the clip, with a small red portion indicating the Hold frame.
Change the duration of the Hold frame by dragging the small thumb at the right end of the red bar.
Add a speed ramp transition at the end of the Hold frame by clicking the downward-pointing arrow next to the word “Hold” in the Retime Editor.
To change the actual frame being held, double-click the bar icon to the LEFT of the red Hold section and choose Source Frame (Edit). This allows you to slide the Hold frame selection left or right.
NOTE: Changing the source frame is a feature that I like a LOT!
3. SLOW (or FAST) MOTION
We use slow-motion to show events that are too fast for the unaided eye to see. And fast motion to speed up very slow events. Both of these effects use what’s called a “constant speed change,” where the entire clip changes by the same amount - either faster or slower.
WE create either effect using the same tools, just different values. Here’s how.
Select the clip who’s speed you want to change. Then, using either Modify > Retime or the “Smurf” Toolbar icon, select Slow (or Fast).
Choose one of the available speeds; in this case, 50%. (Yes, you can change this to any value you want, I’ll show you how in a minute.)
Three things happen at once:
- The duration of the clip changes
- The orange Retiming bar appears over the top of the clip
- The speed of the clip changes
To reset the speed back to normal (100%), click the downward-pointing arrow in the Retiming bar and choose Normal (100%).
There are two ways to change the speed of a clip.
The easy way is to grab the small handle at the end of the clip and drag left or right. The speed will change as you drag it.
Or, for more precision, click the downward-pointing arrow in the Retiming bar and choose Custom.
This opens a new dialog allowing a number of changes:
- Reverse. Plays the clip in reverse.
- Rate. Select a specific speed change as a percentage of normal speed for a clip. Less than 100% is slow-motion. More than 100% is fast-motion.
- Duration. Select a specific duration for a clip and FCP X will calculate how fast or slow it needs to go.
- Ripple. When checked, adjusts the duration of a clip based upon the speed. When unchecked, the clip duration remains fixed even when speed changes.
You will get the smoothest speed changes when the percentage you choose divides evenly into 200. For example, 100, 66, 50, 40, 33, 25, 20, 10 and so on.
4. EXTRA CREDIT
There is one more setting to consider when slowing a clip. (This does not apply when creating fast motion.)
Using, again, either Modify > Retime or the “Smurf” menu, select Video Quality.
- Normal. This is the best choice for speeds of 50% or faster.
- Frame Blending. This is the best choice for speeds of about 20% to 50%.
- Optical Flow. This is the best choice for speeds slower than about 20%.
Frame blending puts a short dissolve between frames when running in slow motion to improve the illusion of motion. Optical Flow invents in-between frames to minimize the jerkiness of extremely slow motion.
Frame blending is relatively fast and easy. Optical Flow will look better in most cases, but takes a long time to render.
This is a basic tutorial about Apple Final Cut Pro X, a professional video editing software. However, if video editing is new to you, consider Wondershare Filmora for Mac . This is a powerful but easy-to-use tool for users just starting out. Download the free trial version below.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
SUMMARY
Whether you want your clips to speed up, slow down or just plain stop, Final Cut Pro X makes the entire process easy.
Benjamin Arango
Benjamin Arango is a writer and a lover of all things video.
Follow @Benjamin Arango
Split, Trim, and Convert AVI Files in Minutes: 2023 Edition
How to Split/Cut/Trim AVI Files Easily
Ollie Mattison
Mar 27, 2024• Proven solutions
Splitting files is usually pretty simple, but things can get more complex if the files contain unwanted or unnecessary elements. Avi videos are usually large because they come with a lower compression ratio which retains the quality to a great extent. If you want to split the AVI files to reduce their file size so they can be a bit more easily shared or stored. If you want to quickly split an AVI file into multiple pieces with no quality loss, then look no further than this easy-to-use AVI Video Splitter - Wondershare Filmora .
Why choose Wondershare Filmora
- Intuitive interface
- Split a large AVI file into smaller AVI files
- Trim unwanted parts and join the selected segments
- Save the new video in various formats to share online or burn to DVD.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
How to Split/Cut/Trim AVI Files Easily
1. Import AVI files
Click “Import” to load your AVI files to the program. All files loaded will be displayed as thumbnails in the left pane. Then drag and drop a clip onto the Timeline.
2. Split AVI files with one click
Highlight the video, and drag the slidebar in the previewing window to go to the point where you want to split. Click “Pause” abd hit the scissor icon in the toolbar to split your AVI clip into two parts.
Now get rid of the unwanted part by simply hitting “Delete” on your keyboard.
Tip: You can click the Timeline Zoomer for precise location and video editing.
3. Save the split AVI file
When you get your wanted AVI segment, click “Create” to access the output window. Here, you can choose a video format like AVI, WMV, MOV, MP4, etc. to save on your computer. Or export directly to your device by picking the optimized preset. If you want to share your creation on YouTube, just go for the option.
Video Tutorial: How to Cut/Split/Trim AVI Videos
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
Ollie Mattison
Mar 27, 2024• Proven solutions
Splitting files is usually pretty simple, but things can get more complex if the files contain unwanted or unnecessary elements. Avi videos are usually large because they come with a lower compression ratio which retains the quality to a great extent. If you want to split the AVI files to reduce their file size so they can be a bit more easily shared or stored. If you want to quickly split an AVI file into multiple pieces with no quality loss, then look no further than this easy-to-use AVI Video Splitter - Wondershare Filmora .
Why choose Wondershare Filmora
- Intuitive interface
- Split a large AVI file into smaller AVI files
- Trim unwanted parts and join the selected segments
- Save the new video in various formats to share online or burn to DVD.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
How to Split/Cut/Trim AVI Files Easily
1. Import AVI files
Click “Import” to load your AVI files to the program. All files loaded will be displayed as thumbnails in the left pane. Then drag and drop a clip onto the Timeline.
2. Split AVI files with one click
Highlight the video, and drag the slidebar in the previewing window to go to the point where you want to split. Click “Pause” abd hit the scissor icon in the toolbar to split your AVI clip into two parts.
Now get rid of the unwanted part by simply hitting “Delete” on your keyboard.
Tip: You can click the Timeline Zoomer for precise location and video editing.
3. Save the split AVI file
When you get your wanted AVI segment, click “Create” to access the output window. Here, you can choose a video format like AVI, WMV, MOV, MP4, etc. to save on your computer. Or export directly to your device by picking the optimized preset. If you want to share your creation on YouTube, just go for the option.
Video Tutorial: How to Cut/Split/Trim AVI Videos
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
Ollie Mattison
Mar 27, 2024• Proven solutions
Splitting files is usually pretty simple, but things can get more complex if the files contain unwanted or unnecessary elements. Avi videos are usually large because they come with a lower compression ratio which retains the quality to a great extent. If you want to split the AVI files to reduce their file size so they can be a bit more easily shared or stored. If you want to quickly split an AVI file into multiple pieces with no quality loss, then look no further than this easy-to-use AVI Video Splitter - Wondershare Filmora .
Why choose Wondershare Filmora
- Intuitive interface
- Split a large AVI file into smaller AVI files
- Trim unwanted parts and join the selected segments
- Save the new video in various formats to share online or burn to DVD.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
How to Split/Cut/Trim AVI Files Easily
1. Import AVI files
Click “Import” to load your AVI files to the program. All files loaded will be displayed as thumbnails in the left pane. Then drag and drop a clip onto the Timeline.
2. Split AVI files with one click
Highlight the video, and drag the slidebar in the previewing window to go to the point where you want to split. Click “Pause” abd hit the scissor icon in the toolbar to split your AVI clip into two parts.
Now get rid of the unwanted part by simply hitting “Delete” on your keyboard.
Tip: You can click the Timeline Zoomer for precise location and video editing.
3. Save the split AVI file
When you get your wanted AVI segment, click “Create” to access the output window. Here, you can choose a video format like AVI, WMV, MOV, MP4, etc. to save on your computer. Or export directly to your device by picking the optimized preset. If you want to share your creation on YouTube, just go for the option.
Video Tutorial: How to Cut/Split/Trim AVI Videos
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
Ollie Mattison
Mar 27, 2024• Proven solutions
Splitting files is usually pretty simple, but things can get more complex if the files contain unwanted or unnecessary elements. Avi videos are usually large because they come with a lower compression ratio which retains the quality to a great extent. If you want to split the AVI files to reduce their file size so they can be a bit more easily shared or stored. If you want to quickly split an AVI file into multiple pieces with no quality loss, then look no further than this easy-to-use AVI Video Splitter - Wondershare Filmora .
Why choose Wondershare Filmora
- Intuitive interface
- Split a large AVI file into smaller AVI files
- Trim unwanted parts and join the selected segments
- Save the new video in various formats to share online or burn to DVD.
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
How to Split/Cut/Trim AVI Files Easily
1. Import AVI files
Click “Import” to load your AVI files to the program. All files loaded will be displayed as thumbnails in the left pane. Then drag and drop a clip onto the Timeline.
2. Split AVI files with one click
Highlight the video, and drag the slidebar in the previewing window to go to the point where you want to split. Click “Pause” abd hit the scissor icon in the toolbar to split your AVI clip into two parts.
Now get rid of the unwanted part by simply hitting “Delete” on your keyboard.
Tip: You can click the Timeline Zoomer for precise location and video editing.
3. Save the split AVI file
When you get your wanted AVI segment, click “Create” to access the output window. Here, you can choose a video format like AVI, WMV, MOV, MP4, etc. to save on your computer. Or export directly to your device by picking the optimized preset. If you want to share your creation on YouTube, just go for the option.
Video Tutorial: How to Cut/Split/Trim AVI Videos
Download Mac Version ](https://tools.techidaily.com/wondershare/filmora/download/ )
Ollie Mattison
Ollie Mattison is a writer and a lover of all things video.
Follow @Ollie Mattison
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